Results 51 to 60 of about 1,590 (217)
Amulets Depicting the Eye of Horus from Burial Mounds of Early Nomads in the Southern Urals
Three faience amulets depicting the Eye of Horus (Wedjat) were discovered in the Southern Urals. They all come from burial mounds of early nomads and are dated by local chronologies to the 5th – 4th centuries BC.
Olga V. Anikeeva, [Leonid T. Yablonsky]
doaj +1 more source
The present overview answers the need of evaluating the current state of the art concerning the application of principal components analysis (PCA) to Raman spectroscopy studies of cultural heritage materials. Painting materials, both colouring and binding ones, were considered, together with natural and synthetic glasses, biogenic and mineral ...
Alessia Coccato, Maria Cristina Caggiani
wiley +1 more source
Probing beneath the surface: a study of Ancient Egyptian faience
Ancient Egyptian faience is a material of many mysteries. There is limited knowledge on the receipes and manufacturing processes used to craft it. This unfortunately has led to a lack of information about faience, unsatisfactory conservation methods, and
Michelle Whitford (12303431)
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This French faience plate was found at the Union Hall Site near downtown Mobile during excavations for the I-10 Mobile River Bridge Archaeological Project.
Archaeological Studies, Center for
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A research objective – to analyse sources of loans of motives “the German flowers” (“the Saxon pattern”, “the Saxon attire”) in the European porcelain and the faience, connected with creativity of known masters of a brush of “the Lesser Dutches”.
Shkol'naja Olga Vladimirovna
doaj
Polish Faience from Ćmielów Factory in the Collections of the Diocesan Museum in Sandomierz
Ecclesiastical objects were rarely made from ceramics and are therefore not often found in church museums. The Diocesan Museum in Sandomierz is a notable exception, with an interesting and diverse collection of 21 transfer-printed faience vessels from ...
Wojciech W. Kowalski
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The Sacral Knot and Its Iconographic Use [PDF]
The sacral knot is one of the most discussed symbols of Minoan art. This study focuses on its iconographic use throughout time and tries to find a way to differentiate it from other similar symbols.
Monika Matoušková
doaj
In this paper, we propose a method for creating a ceramic Venus figurine replica from a mold in the Museum of Ceramic Techniques collection in Koło, Poland stored at the museum for many years. Moreover, none of the Venus figurines in this collection have
Sunita Saha +3 more
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PRODUCTION OF HIGH FAIENCE AT THE PACYKYVSKA FAIENCE FACTORY DURING 1912–1939
The purpose of the article. The goal is to outline the main creative achievements of the Patsykyvska faience factory. The methodology consists of the totality of the application of the historical-chronological approach, historical-cultural, axiological and art history methods, which allow you to review previously known information regarding the ...
openaire +3 more sources
Haban faience in the collections of the Bratislava City Museum [PDF]
The author analyses the Haban faience collection of the Bratislava City Museum—the oldest existing Slovak museum (founded in 1868). The first part of the text provides a chronological survey of the Haban ceramics acquisitions and informs about their ...
Zuzana Francová, Francová, Zuzana
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