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Generative AI Art: Copyright Infringement and Fair Use

Social Science Research Network, 2023
The discussion of AI copyright infringement or fair use often skips over all the required steps of the infringement analysis in order to focus on the most intriguing question, “Could a visual generative AI generate a work that potentially infringes a ...
Michael D. Murray
semanticscholar   +1 more source

A Reflection on the Fair Use of Unpaid Work in Conservation

, 2020
With increasing demand for large-scale data and effective, wide-spread action, conservation volunteers can play an important role in tackling the global biodiversity crisis.
A. Vercammen   +4 more
semanticscholar   +1 more source

Private use as fair use

ACM SIGCAS Computers and Society, 2007
The age of digital technology has introduced new complications into the issues of fair and private use of copyrighted material. In fact, the question of private use of another's work has been transformed from a side issue in intellectual property jurisprudence into the very center of intellectual property discussions about rights and ...
Maria Bottis, Frances S. Grodzinsky
openaire   +2 more sources

An economic model of fair use [PDF]

open access: possibleInformation Economics and Policy, 2006
The doctrine of fair use allows limited copying of creative works based on the rationale that copyright holders would consent to such uses if bargaining were possible. This paper develops a formal model of fair use in an effort to derive the efficient legal standard for applying the doctrine.
Miceli, Thomas J., Adelstein, Richard P.
openaire   +4 more sources

Fair Use

Copyright, 2018
Fair use is a longstanding, major exception to copyright owners’ exclusive rights. You do not infringe copyright if your copying of someone else’s work qualifies as fair use. I explained some fair use basics in Chapter I. Recall that to determine whether
N. Netanel
semanticscholar   +1 more source

Artificial Intelligence's Fair Use Crisis

, 2017
As automation supplants more forms of labor, creative expression still seems like a distinctly human enterprise. This may someday change: by ingesting works of authorship as “training data,” computer programs can teach themselves to write natural prose ...
Benjamin Sobel
semanticscholar   +1 more source

Fair Use or Not Fair Use: That Is the Electronic Reserves Question

Journal of Interlibrary Loan, Document Delivery & Information Supply, 2000
ABSTRACT The copyright law provides libraries and faculty in educational institutions certain rights and exemptions under fair use. One of these rights is establishing reserve-reading services in support of the curriculum. While libraries have been able to provide reserve services within the confines of the law and fair use, the implementation of ...
Patricia L. Thibodeau   +2 more
openaire   +2 more sources

The impact of copyright permissions culture on the US visual arts community: The consequences of fear of fair use

New Media & Society, 2015
As digital opportunities emerge in the visual arts—to produce multimedia art and digital scholarship, publish online, and hold online museum exhibitions—old copyright frustrations have worsened in a field where getting permissions is routine.
P. Aufderheide   +2 more
semanticscholar   +1 more source

Fair Use and the New Transformative

, 2016
In the eyes of many, the “transformative” subfactor of the fair use analysis is expanding. Recent decisions such as Cariou v. Prince, Seltzer v. Green Day, and the Google Books line of cases have allegedly pushed the doctrine into new and problematic ...
B. Sites
semanticscholar   +1 more source

Fair Use and Fair Dealing

2018
Premised on realizing a balance between protection and access, ‘limitations and exceptions’ play an important role in the any copyright system. Jurisdictions around the world are generally thought to adopt one of two possible approaches to structuring limitations and exceptions: (a) the fair dealing approach, which delineates highly specific and ...
David Nimmer, Shyamkrishna Balganesh
openaire   +1 more source

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