Results 11 to 20 of about 109,058 (253)

Infografies de l'exposició vitual Fake news, fake science

open access: yes, 2020
Infografies elaborades pel CRAI Biblioteca d'Informació i Mitjans Audiovisuals.Infografies en català i castellà per a l'exposició virtual realitzada pel CRAI Biblioteca d'Informació i Mitjans Audiovisuals "Fake News, Fake Science", al març de 2020 ...
Universitat de Barcelona. CRAI Biblioteca d'Informació i Mitjans Audiovisuals   +1 more
core   +6 more sources

Who is the author: genuine, honorary, ghost, gold, and fake authors? [PDF]

open access: yesExploration of Cardiology
While authorship practices can vary across different disciplines, authorship should reflect the individuals who have made a substantial contribution to the research project, take public responsibility for the paper’s content, and agree to its submission ...
Eugenio Picano
doaj   +1 more source

Fashion counterfeit in Russia: modern trends

open access: yesRussian Journal of Economics and Law, 2020
Objective: to study the regularities and features of the Russian market of fashion counterfeit goods.Methods: dialectical approach, system approach, analysis, synthesis, comparative analysis method.Results: the main types of counterfeit goods in the ...
A. V. Salnikova
doaj   +1 more source

Effects of fake and original perfumes on the presence, numbers, and distribution of mast cells in selected tissues in rats [PDF]

open access: yesOpen Veterinary Journal, 2021
Background: Perfumes, whether original or fake, are considered of great economic value. However, overzealous use of perfumes could be associated with local or systemic side effects.
Wael M. Hananeh   +4 more
doaj   +1 more source

Fake source-based source location privacy in wireless sensor networks [PDF]

open access: yes, 2015
The development of novel wireless sensor network (WSN) applications, such as asset monitoring, has led to novel reliability requirements. One such property is source location privacy (SLP).
Bradbury, Matthew S.   +2 more
core   +1 more source

Tra virtuosismo e truffa: l’arte del falsario

open access: yesLinguae &: Rivista di Lingue e Culture Moderne, 2021
The history of artistic forgery boasts rather old origins and numerous facets. On this occasion, some emblematic cases between the Cinquecento and the present day (from the Sleeping Cupid of Michelangelo to the ‘Modiglianis’ that hit the headlines only ...
Anna Cerboni Baiardi
doaj   +1 more source

Media effects and the impact of fake and anti-fake news on youth audiences: The use of eye-tracking technologies [PDF]

open access: yesWorld of Media, 2023
This paper analyzes media effects of fake and anti-fake journalistic materials and their impact on youth audiences. The paper deals with fake news as a relevant problem of the modern information society and defines the term “anti- fake” as a way to ...
Lidiya Lobodenko   +5 more
doaj   +1 more source

Fejk – „fabuła z zamiarem oszukania”

open access: yesStudia Rossica Posnaniensia, 2019
While misinformation and propaganda have existed since ancient times, their importance and influence nowadays – in the age of social media – is still not clear. Recent social and political events, such as the controversial Brexit referendum in the United
Łukasz Małecki
doaj   +1 more source

Revelation or confirmation?

open access: yesMedicine Anthropology Theory, 2020
Fakes have become a matter of concern across global health. Commissioning inquiry into presumed fake practices in global health requires both a pre-existing sense of what would constitute real provision and a suspicion that it is not being offered.
Patricia Kingori, Rachel Douglas Jones
doaj   +1 more source

Un marché de l’art précolombien en plein questionnement

open access: yesLes Nouvelles de l’Archéologie, 2016
De récentes actualités sur le marché de l’art précolombien en France ont mis en évidence les nombreux problèmes liés au commerce de l’art précolombien : pillages de sites, trafics illicites, inflation des prix, fabrication de copies de pièces… Les ...
André Delpuech
doaj   +1 more source

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