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Bulletin of Hispanic Studies, 1947
The death last November of Manuel de Falla in the Argentine did not remove a figure who had been lately in the minds of musicians and music-lovers. Rather did it bring his picture back to their memories—the almost forgotten picture of a small, dried-up little man looking like some fanatical monk ready to go to the torture for an ideal, right or wrong ...
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The death last November of Manuel de Falla in the Argentine did not remove a figure who had been lately in the minds of musicians and music-lovers. Rather did it bring his picture back to their memories—the almost forgotten picture of a small, dried-up little man looking like some fanatical monk ready to go to the torture for an ideal, right or wrong ...
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2014
The organization ”Kalmar Stadsmission” is stepping in where the public social resources and efforts are insufficient and is adapting activities based on needs - both acute and long-term. I have explored how an organization vision can be visualized through a graphic identity.
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The organization ”Kalmar Stadsmission” is stepping in where the public social resources and efforts are insufficient and is adapting activities based on needs - both acute and long-term. I have explored how an organization vision can be visualized through a graphic identity.
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2005
Harper aims to provide readers with a deeper, more accurate understanding of Falla's creative process by drawing from a complete array of rare, authentic sources including Falla's own personal library, valuable sketch material, and the more than 20,000 pieces of correspondence maintained in Granada, Spain by the Manuel de Falla Archive.
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Harper aims to provide readers with a deeper, more accurate understanding of Falla's creative process by drawing from a complete array of rare, authentic sources including Falla's own personal library, valuable sketch material, and the more than 20,000 pieces of correspondence maintained in Granada, Spain by the Manuel de Falla Archive.
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1992
In der kompositorischen Entwicklung de F.s lassen sich eine Entwicklungsphase, die bis 1902 dauert, eine zweite Periode, in welche seine ersten grosen Werke im nationalen Stil fallen, eine dritte, asthetisch vom Neoklassizismus gepragte Phase, und schlieslich die argentinische Zeit unterscheiden.
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In der kompositorischen Entwicklung de F.s lassen sich eine Entwicklungsphase, die bis 1902 dauert, eine zweite Periode, in welche seine ersten grosen Werke im nationalen Stil fallen, eine dritte, asthetisch vom Neoklassizismus gepragte Phase, und schlieslich die argentinische Zeit unterscheiden.
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