Results 211 to 220 of about 23,481 (241)
The False Door of Shepsi at the Egyptian Museum of Cairo [PDF]
International Journal of Heritage Tourism and Hospitality, 2020 Abdelhamid Taher
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VIII The Decoration of the False Door
2014This chapter discusses the false door and its parts. The (sub)themes placed on them are catalogued and defined. The location of the various (sub)themes and their frequency of occurrence (FO) values are determined. It is the panel and the door jambs that show such a development and therefore they are discussed in the chapter.
Leo Roeten
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A Chronological Study of the False Door Concept [PDF]
Journal of Association of Arab Universities for Tourism and Hospitality, 2014 In Ancient Egypt, the false door was thought to be a threshold between the world of mortals and that of deities; where spirits lived. The deity could interact with the world of the living either by passing through the false door or receiving offerings through.
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The Dating of Heneni’s False Door at Hildesheim
Journal of the American Research Center in Egypt, 2021This article deals with dating the false door of Heneni which was found at Giza and is now preserved in the Roemer-und Pelizaeus-Museum, Hildesheim. The false door is dated from late in the reign of Pepy II to the Eighth Dynasty on the basis of the place of its discovery in the cemetery, the name of its owner, the titles and epithets of the deceased ...
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2014
This chapter determines the chronological development of the cultic character of the door jambs and the panel of the false door by the same method that has been applied to the western wall. From these two parts the chronological development of the cultic character of the false door as a whole is determined. This can be linked to the same development on
Leo Roeten
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This chapter determines the chronological development of the cultic character of the door jambs and the panel of the false door by the same method that has been applied to the western wall. From these two parts the chronological development of the cultic character of the false door as a whole is determined. This can be linked to the same development on
Leo Roeten
exaly +2 more sources
The False Door of MTw from Saqqara
Mağallaẗ Kulliyyaẗ Al-Adāb, Ǧāmiʿaẗ Al-Iskandariyyaẗ, 2019exaly +2 more sources
The Journal of Hellenic Studies, 1943
Among all the tantalising questions relating to Lycian pillar tombs, the one that has never been touched is that concerning the top openings which are usually called doors. Yet an enquiry into their meaning may, I think, prove a crucial test. These apertures measure in width 0.20 m. (Isinda Tomb), 0.30 m. (Lion Tomb), 0.41 m. (Harpy Tomb), and 0.45 m. (
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Among all the tantalising questions relating to Lycian pillar tombs, the one that has never been touched is that concerning the top openings which are usually called doors. Yet an enquiry into their meaning may, I think, prove a crucial test. These apertures measure in width 0.20 m. (Isinda Tomb), 0.30 m. (Lion Tomb), 0.41 m. (Harpy Tomb), and 0.45 m. (
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The Sixth Dynasty False Door of the Priestess of Hathor Irti
Journal of the American Research Center in Egypt, 1994The false door shown on figs. 1 and 2 was purchased from Sotheby's, London, by Mr. Robert McCorkell, a private collector from Ottawa, Ontario.2 The surface is in fair condition, although it is heavily pitted in some areas. The piece measures 48.2 cm by 62.8 cm. The false door is framed by two protruding torus mouldings on either side, with the expected
Ronald J Leprohon
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Who Really Lives Next Door: Creating False Memories with Phonological Neighbors
Journal of Memory and Language, 1999Abstract Three experiments were conducted to examine false recall and recognition with lists of phonologically related words. Experiment 1 found that the pattern of false memories (both recall and recognition) obtained for lists of phonological associates was similar to results that have been observed with semantically associated word lists (Roediger
Mitchell S Sommers
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False-doors in domestic Roman architecture
2018This paper proposes that the archaeology of death is not only confined to tombs and mausolea, but that Roman domestic architecture also engaged in a discourse between the living and the dead via in-house wall-paintings. Since their large scale discovery in the mid-eighteenth century, the wall-paintings have been thought of as performing a purely ...
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