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“AN EXPENSIVE BIT OF FAN FICTION”:

2022
This chapter examines how Watchmen (HBO 2019) navigates its complicated position both as part of a transmedia narrative universe and as one of many multiple narratives within the overarching Watchmen franchise. In particular, the chapter analyzes how the television series negotiates the narrative demands of introducing new audiences to the complex ...
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‘Thanks for Fanning’: Online Austen Fan Fiction

2014
This chapter traverses the discursive space mapped and staked out by the dedicated Austen fan site, the Republic of Pemberley, and its offshoot, the Derbyshire Writers’ Guild. It pays attention to the ways in which these online spaces evoke material and ‘real world’ places, generating a sense of civic municipality as well as literary community. Drawing
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Should Fan Fiction Be Free?

Cinema Journal, 2009
FanLib's example shows what happens when outside attempts are made to recon figure the field of value in such a way as to attempt to control the community com ponent without the community members' cooperation. One fan, in an open letter to a FanLib insider, says, "You do not understand us and our communities, nor do you respect us. . . . If you want us
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PRAGMATIC FUNCTIONS OF FAN FICTION

Scientific Journal of Polonia University
The present paper deals with investigating pragmatic functions of fan fiction. We define fan fiction as a corpus of texts (fanfics) written by non-professional authors based on a certain work of culture (book, film, TV series, etc.). Being on the Internet creates a number of features in fan fiction texts: conditional anonymity (nicknames ...
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The Stakes of Fan Fiction

2019
Chapter 2 analyzes the legal landscape within which books were printed and sold to show that existing laws could not regulate the rapidly expanding corpus of fan fiction. It provides a detailed look at the book trade and the ways in which authors were compensated.
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CFP: “Theorizing Fan Fiction and Fan Communities.”

Science Fiction Studies, 2004
Karen Hellekson, Kristina Busse
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