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Fantastic technology in early Irish literature
La technologie fabuleuse dans la littérature irlandaise ancienne La description d’objets techniquement ingénieux ou complexes n’est pas un thème reconnu de la littérature irlandaise ancienne, mais l’on trouve des exemples de moyens de transport, de pièces d’armement et de procédés pour acquérir ou préparer des aliments qui montrent qu’une intrigue
Sayers, William
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Publications of the Modern Language Association of America, 2019
Charles Nodier (1780–1844) holds the dismal distinction of being the most important French Romantic you have never heard of. A child prodigy, Nodier was reading Montaigne and Plutarch, and writing fluently in French and Latin, by the age of ten. By twenty-five he had vandalized a guillotine, founded the ironically Freemasonesque antiJacobin society ...
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Charles Nodier (1780–1844) holds the dismal distinction of being the most important French Romantic you have never heard of. A child prodigy, Nodier was reading Montaigne and Plutarch, and writing fluently in French and Latin, by the age of ten. By twenty-five he had vandalized a guillotine, founded the ironically Freemasonesque antiJacobin society ...
Charles Nodier +2 more
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‘NOI SIAMO UNI’: PARADOX IN TOMMASO LANDOLFI’S FANTASTIC LITERATURE
This article examines paradox as a narrative device of fantastic literature in a selection of Tommaso Landolfi’s stories. It begins with some introductory comments on Landolfi, followed by an exploration of paradox and its relation to fantastic ...
Reza, M, Reza, Matthew
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The immanent American fantastic: immanence and liminality in contemporary U.S. fantastic literature
2022This dissertation is a study of “the American fantastic,” i.e. the literary fantastic in an American context. I suggest that conceiving of the fantastic in the context of Gilles Deleuze’s and Félix Guattari’s philosophy of immanence productively supersedes more common, dyadic conceptualizations of the fantastic, and that this dissolving of traditional
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Beyond the Impossible: Fantastic Literature in Translation
2020New Voices in Translation Studies, 22, 1, -
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The chapter makes a case for Pirandello as the head of an Italian school of fantastic literature that came into being at the end of the nineteenth century. It recounts Pirandello’s use of the fantastic – characteristically without the supernatural – as a
Gabriele Pedulla'
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Space and the Postmodern Fantastic in Contemporary Literature
2015Arising from the philosophical conviction that our sense of space plays a direct role in our apprehension and construction of reality (both factual and fictional), this book investigates how conceptions of postmodern space have transformed the history of the impossible in literature. Deeply influenced by the work of Jorge Luis Borges and Julio Cortázar,
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