Results 251 to 260 of about 392,154 (307)
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2017
This chapter slowly teases apart a psychoanalytic notion of fantasy from the more common parlance, to illustrate not simply the differences between “fantasy and fantasy,” but also their antagonism. While common everyday fantasy is always on some level a site of freedom—or at least its image—psychoanalytic fantasy is a site of bondage and constraint, a ...
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This chapter slowly teases apart a psychoanalytic notion of fantasy from the more common parlance, to illustrate not simply the differences between “fantasy and fantasy,” but also their antagonism. While common everyday fantasy is always on some level a site of freedom—or at least its image—psychoanalytic fantasy is a site of bondage and constraint, a ...
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Folklore, fantasy and indigenous fantasy
2016In Chapter 4 we argued that in the inter-war period myth, folk tale and fairy tale were mostly kept separate from fantasy: even in Patricia Lynch's The Turf-Cutter's Donkey (1934) which used all three, the result was three distinct sections with their own flavours.
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2017
This chapter discusses the key concepts and logic that undergird the remainder of the book. Given that they come centrally from Freud, Laclau and Mouffe, Žižek, and, above all, Lacan, this does not make for the easiest reading. With much of this material, and especially with so cumbersome an apparatus as Lacan's, there is no such thing as excursus ...
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This chapter discusses the key concepts and logic that undergird the remainder of the book. Given that they come centrally from Freud, Laclau and Mouffe, Žižek, and, above all, Lacan, this does not make for the easiest reading. With much of this material, and especially with so cumbersome an apparatus as Lacan's, there is no such thing as excursus ...
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2017
This chapter argues that the present of postmodernism has come to seem like a stalled present, an agitated but idle meanwhile. This is precisely what Hasselhoff, Rostropovich, and Bernstein were trying to do, consciously and unconsciously: to show this perpetual present coming into being by putting on a show.
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This chapter argues that the present of postmodernism has come to seem like a stalled present, an agitated but idle meanwhile. This is precisely what Hasselhoff, Rostropovich, and Bernstein were trying to do, consciously and unconsciously: to show this perpetual present coming into being by putting on a show.
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Abstract Fantasies are the most benign of all secession types. Fantasy dream states are mostly harmless. Though ostensibly about an assertion of sovereign rights, most in reality are no more than a handy device intended to achieve some entirely unrelated goal. Fantasy dream states come in three main varieties.
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Svět fantasy - Hrdinové světa fantasy
2009This thesis is dealing with the topic of fantasy in art with a special focus on picturing the main hero in so called heroic fantasy. Fantasy genre is seen in context of its ideological sources and it also shows its impact on current culture and its variety.
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