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Revista Práxis, 2023
Este artigo propõe dar visibilidade a uma experiência vivenciada com os discentes do 4º Período do Curso de Educação Profissional Técnica de Nível Médio em Enfermagem do Instituto Federal Norte de Minas Gerais (IFNMG), Campus Januária a partir de uma oficina de fanzines, cujo objetivo foi analisar o potencial crítico desse recurso comunicativo no ...
Suerdes Rodrigues Viana +1 more
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Este artigo propõe dar visibilidade a uma experiência vivenciada com os discentes do 4º Período do Curso de Educação Profissional Técnica de Nível Médio em Enfermagem do Instituto Federal Norte de Minas Gerais (IFNMG), Campus Januária a partir de uma oficina de fanzines, cujo objetivo foi analisar o potencial crítico desse recurso comunicativo no ...
Suerdes Rodrigues Viana +1 more
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2021
Abstract Zines are typically regarded as noncommercial, nonprofessional works that the creators usually produce, publish, and distribute themselves, typically in small numbers. At the heart of zine culture is a commitment to a do-it-yourself (DIY) ethos and the understanding that profit is not the primary intent of publication, which ...
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Abstract Zines are typically regarded as noncommercial, nonprofessional works that the creators usually produce, publish, and distribute themselves, typically in small numbers. At the heart of zine culture is a commitment to a do-it-yourself (DIY) ethos and the understanding that profit is not the primary intent of publication, which ...
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Copyright and Internet fanzines
Aslib Proceedings, 1999An investigation of what happens when fans take material related to popular TV science fiction/fantasy programmes without permission, give the copyright holder full credit, and use it to promote the show from which they have taken the material. The web sites relating to two TV series were chosen for study: Forever Knight and the X‐Files. A large number
Charles Oppenheim, Margaret Turner
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2022
Prompted by fandom, the creators of the French gay comics zine Dokkun seek to emulate and understand the comics of the Japanese artists whom they encounter at fanzine conventions in Europe and Japan. The resulting “contact zones” among geographically far-flung gay comics communities suggest the variety of ways in which local, regional, and global LGBTQ+
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Prompted by fandom, the creators of the French gay comics zine Dokkun seek to emulate and understand the comics of the Japanese artists whom they encounter at fanzine conventions in Europe and Japan. The resulting “contact zones” among geographically far-flung gay comics communities suggest the variety of ways in which local, regional, and global LGBTQ+
openaire +1 more source