Results 31 to 40 of about 2,492 (186)

"Stuff From Back Home": Enda Walsh's The Walworth Farce

Ilha do Desterro, 2010
Since its first performance in 2006 by Druid Theatre Company, Enda Walsh's award-winning The Walworth Farce has toured Ireland, Britain, America, Canada, New Zealand and Australia to great acclaim, with the brilliance of the directing, design and acting ...
Eamonn Jordan
doaj   +3 more sources

Doctrine, Narrative and the Formation of Christian Identity: A Conversation with Alister McGrath

International Journal of Systematic Theology, EarlyView.
Abstract This article offers a critical and appreciative response to Alister McGrath’s The Nature of Christian Doctrine, exploring the formation of doctrine as a dynamic communal process rooted in Scripture, liturgy and historical context. It highlights McGrath’s analogy between doctrinal development and scientific method, emphasising the search for a ...
Frances Margaret Young
wiley   +1 more source

Farces et mazarinades. Actualité d’une forme théâtrale comique pendant la Fronde

Pratiques & Formes Littéraires 16-18
Cet article examine les manifestations et usages du modèle farcesque en France dans la première moitié du xviiᵉ siècle en proposant de décloisonner des corpus parfois isolés selon des critères génériques avec, d’une part, le théâtre et, d’autre ...
Flavie Kerautret
doaj   +1 more source

Castiglione et la « beffa »

Italies, 2007
Quelles qu’aient pu être les raisons qui avaient conduit Castiglione à exclure le terme de beffa et à le remplacer par celui de burla, l’adoption d’un autre mot ne change rien ni au contenu ni au déroulement de l’action.
Paul Larivaille
doaj   +1 more source

Jacques Maritain, Maurice Blondel, and the Ends of Art

Modern Theology, EarlyView.
Abstract This article reconsiders Jacques Maritain's philosophical poetics by situating it within his longstanding debate with Maurice Blondel over the nature and unity of intellect. I argue that Maritain's influential defence of artistic autonomy, first articulated in Art et scolastique (1920), is ultimately unsound.
Steven Toussaint
wiley   +1 more source

Ouvrages, revues et colloques publiés de 1965 à 1995 par les chercheurs du secteur Animal de l’INRA

INRAE Productions Animales, 1996
Pas de résumé pour cet ...
M.H. FARCE
doaj  

Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four

Orbis Litterarum, EarlyView.
Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley   +1 more source

“Trotskyists”: literary and political farce And satirical means of its expression in the novel of M.A. Bulgakov “The fatal eggs”

Неофилология, 2018
Аbstract. The novel “The Fatal Eggs” of M.A. Bulgakov is analyzed. Its satirical vector is in a secret literary farce focused on L.D. Trotsky and his surroundings. The composition of farce and its borders of embeddedness in the text are defined.
Vladimir Viktorovich Kolchanov
doaj  

William Shakespeare’s Hamlet: A Novelty on the Ukrainian Puppet Stage

Multicultural Shakespeare
The article examines the first stage performances of William Shakespeare’s Hamlet in Ukrainian puppet theatres, which appeared as late as the twenty-first century.
Roman Lavrentii, Olesia Ostapiuk
doaj   +1 more source

Blankness in post‐post‐postmodern poetry

Orbis Litterarum, EarlyView.
Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
wiley   +1 more source