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Fashion Theory, 2018
In 2015 fashion’s pre-eminent industry consultant and trend forecaster, Li Edelkoort, released an ebullient manifesto declaring that fashion was dead.
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In 2015 fashion’s pre-eminent industry consultant and trend forecaster, Li Edelkoort, released an ebullient manifesto declaring that fashion was dead.
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Proceedings of the 5th conference on Designing interactive systems: processes, practices, methods, and techniques, 2004
Making the invisible visible in the world of mobile communication. The ubiquitous presence of mobile communication devices - and the fashion in which they are adopted by different cultures - is not only redefining the way people communicate but also the way they more generally behave.
Davide Agnelli, Dario Buzzini, Tal Drori
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Making the invisible visible in the world of mobile communication. The ubiquitous presence of mobile communication devices - and the fashion in which they are adopted by different cultures - is not only redefining the way people communicate but also the way they more generally behave.
Davide Agnelli, Dario Buzzini, Tal Drori
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Bodies of Fashion and the Fashioning of Subjectivity
Body & Society, 2020This article explores the links between habit, fashion and subjectification to extend analysis of the clothed body beyond the semiotic frames that have tended to dominate discussions of fashion across the social sciences and humanities. Our goal is to explain how fashion’s diverse materialities participate in the modulations of subjectivity, affecting ...
Andrea Eckersley, Cameron Duff
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The Fashioning of Fashionable Diseases in the Eighteenth Century
Literature and Medicine, 2017This essay considers why the eighteenth century has particular significance for anyone concerned with the cultural forces necessary to render a disease fashionable. A brief overview of a pervasive cult of sensibility addresses the role of popular medical writing, imaginative literature, and spas in circulating a romanticized model of nervous disorders ...
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2011
The entry describes the social phenomenon of fashion as far as cultural features are concerned, from the origin at the half of XIX Century in France up to contemporary global diffusion of new ways of production and consumption. It underlines the social role of fashion in the distinctive and commuicative strategies of everydaylife.
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The entry describes the social phenomenon of fashion as far as cultural features are concerned, from the origin at the half of XIX Century in France up to contemporary global diffusion of new ways of production and consumption. It underlines the social role of fashion in the distinctive and commuicative strategies of everydaylife.
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Textile Progress, 2013
This issue of Textile Progress provides a critical literature review and reflection relating to academic research in the field of fashion marketing. As the topic has not been reviewed before in Textile Progress, the paper takes the concepts of marketing and fashion in turn, exploring the literature from its origins to the present day and then considers
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This issue of Textile Progress provides a critical literature review and reflection relating to academic research in the field of fashion marketing. As the topic has not been reviewed before in Textile Progress, the paper takes the concepts of marketing and fashion in turn, exploring the literature from its origins to the present day and then considers
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Fashion as Art or Art as Fashion?
2016In the late nineteenth and early twentieth centuries, a number of avant-garde artists including William Morris, Henry van de Velde, Gustav Klimt, Aleksandra Exter, Giacomo Balla and Sonia Delaunay, engaged with fashion as a means of reconnecting art with everyday life.
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Fashion Games, Fashion in Games and Gamification in Fashion. A First Map
2023Alice Noris +2 more
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