Results 31 to 40 of about 149 (132)
Słodkie życie i martwa natura. Milczenie jako aspekt recepcji dzieła sztuki
Kwartalnik Filmowy, 2009 Swoje rozważania autor rozpoczyna od przybliżenia sylwetki bolońskiego malarza martwych natur Giorgio Morandiego, którego twórczość pozostaje w silnym związku z toposem ciszy i niewysłowienia.
Łukasz Kiepuszewski
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Ricerche di S/Confine, 2021 Since the birth of the film industry, characters and environments from Dante’s Inferno have frequently been brought to the screen, but from the end of the Fifties they begin to be represented in less explicit ways. These films have been considerably less
Jennifer Malvezzi
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Cahiers de Narratologie, 2012 L’œuvre cinématographique de Federico Fellini (peut-être pas dans son intégralité, mais sûrement à partir des films tournés dans les années 60) se caractérise par une série d’écarts, de déviances, de libertés par rapport au protocole de règles qui ...
Alessandro Leiduan
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Applied Sciences, 2021 Since the second half of the 19th century, the world of textile production was radically changed both in terms of esthetics and of the performances leading to industrial products whose chemical properties were totally unknown and unexplored.
Francesca Sabatini +8 more
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« Quell’altro mondo che era il mondo ». Calvino e il cinema
Italies, 2012 Nella Autobiografia di uno spettatore, introduzione ai Quattro film di Federico Fellini, Calvino scrive che il cinema, durante gli anni della sua formazione, aveva rappresentato il mezzo privilegiato per intravedere l’immagine stessa del mondo.
Matteo Palumbo
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(Re)constructing oneself in the movies: autobiographical aspects in Federico Fellini's Amarcord
Intexto, 2019 Os estudos de narrativas autobiográficas – ou escritas de si –, como apontam autores como Arfuch, encontraram grande fonte de análise na literatura. O presente artigo procura traçar um panorama geral desses aspectos autobiográficos no cinema, tendo ...
Marcelo de Lima, Luiz Antonio Mousinho
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8½ and the Pitfalls of the Remake
IAFOR Journal of Arts & Humanities, 2018 This article seeks to provide an archetypal instance of the problematic phenomenon of film remaking. In analyzing Fellini's 8½ and Marshall's remake of it, Nine, the article defines film remaking as a variable concept pulled in every direction by the ...
Alyssa Acierno
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Georges Simenon : une autocritique obsessionnelle ?
Revue Italienne d'Etudes Françaises, 2018 De nombreux textes du romancier belge Georges Simenon interrogent le processus mystérieux que constitue l'acte d’écrire et ouvrent un espace pour tenter d’éclaircir et de comprendre, à ses propres yeux ainsi qu’aux yeux de ses contemporains, la fécondité,
Marina Geat
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Rivista di Estetica, 2011 The paper deals with the relationship that can be assumed to hold between personality traits and creativity. What can be said to happen about personality preservation and change when personality traits evolve through an individual growth and ageing?
Renzo Canestrari
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Flaiano sceneggiatore ai tempi del “Diario notturno”
Testo & Senso, 2018 Il saggio analizza l’attività di sceneggiatore cinematografico di Ennio Flaiano, nel periodo che va 1943 al 1956, anno della pubblicazione del Diario notturno da parte della Bompiani.
Fabrizio Natalini
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