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Trabajo y Sociedad, 2012 Some of the next articles are maybe not open access.
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‘True Wit’, and Feijoo's ‘Chistes de N’
Bulletin of Hispanic Studies, 1993et certe veritatem magis exprimunt tormenta quam risus, nisi quod facilius creditur, quod aut fictum libenter auditur aut non fictum, ut fingatur, inpellitur.1 In the eighteenth century, laughter, and especially laughing out loud, were often subjects for concern among scholars.2 Perhaps one of the best known—and most emotional—diatribes on the subject ...
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Galdosian Reflections: Feijoo and the Fabrication of Fortunata
MLN - Modern Language Notes, 1982A recent and well-articulated line of thought has it that all literature is self-reflexive.1 Structuralist critics in particular hold to the view that the work of art invariably reveals itself in its own making. Be that as it may, the fact is that twentieth-century literature has exhibited an unprecedented self-consciousness and therefore has devoted ...
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Benito Jerónimo Feijoo y Montenegro
2016Studium in Oviedo, dann Lehrer und Publizist; bedeutender Stilist seiner Zeit; Universalgelehrter am Ubergang zur spanischen Aufklarung; verfasste Arbeiten zu Naturkunde, Padagogik, Rechtswissenschaft, Medizin, Linguistik und Volkskunde, Letztere gilt als wichtige Quelle zur Alltagskultur Spaniens im 18.
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Hispania, 1956
and scientific problems; and finally the essays on philosophical themes. America and its inhabitants appear in all three types of essays as proof or as examples to substantiate or illustrate his contentions.1 The Benedictine's preoccupation with America and American problems was constant.
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and scientific problems; and finally the essays on philosophical themes. America and its inhabitants appear in all three types of essays as proof or as examples to substantiate or illustrate his contentions.1 The Benedictine's preoccupation with America and American problems was constant.
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Hispanic Review, 1941
Feij6o was accused by Francisco Soto y Marne, one of his bitterest critics, of taking not only information, but his whole idea of attacking the prejudices of the people from works on popular errors by Thomas Browne, Jacques Primerose, Pere Claude Buffier, and Scipione Mercurio. In at least two places Feij6o denies having known any of these works before
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Feij6o was accused by Francisco Soto y Marne, one of his bitterest critics, of taking not only information, but his whole idea of attacking the prejudices of the people from works on popular errors by Thomas Browne, Jacques Primerose, Pere Claude Buffier, and Scipione Mercurio. In at least two places Feij6o denies having known any of these works before
openaire +1 more source