The Waves: Writing the Feminine
Virginia Woolf’s narrative strategy was often understood as exemplifying feminine writing. The author herself undoubtedly contributed to this approach when she praised Dorothy Richardson for her invention of a ‘woman’s sentence’, in which some of the ...
Sophie Marret
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Tropes and Heliotropes: Writing the Feminine in Ulysses
Whilst the character of Gerty MacDowell is associated with the cheap scent of heliotrope, Joyce gives the more pungent opoponax as Molly Bloom’s perfume.
Valérie Bénéjam
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Feminine Characteristics in Fiction Literature with a Look at Shahrnoush Parsipour's Novel "Dog and Long Winter" Based on the feminist stylist Sara Mills [PDF]
Feminine writing is one of the topics of interest to literary scholars and stylists, which deals with questions such as feminine writing and what characteristics it has.
Saiedeh khojastepour
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The inscription of the feminine body in the field of sound: Vocal expression as a platform of feminine writing (écriture féminine) [PDF]
This paper brings together several theoretical issues relevant both to the fields of musicology/ethnomusicology and feminist/gender studies - above all, the issue of the status of the voice within the complexity of a body-textuality tension, and
Stojanović Dragana
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Comparing the Effect of Gender Factors on the Writing Style of the Novels Sal-e Balva and Khaneye Edrisi Ha [PDF]
Extended AbstractThe author's gender and the reflection of the elements arising from gender in terms of writing techniques are influential in how the narrative is formed.
Reyhane Mirza Alian +2 more
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La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
The Years (1937), a novel by Virginia Woolf, and Les Années (2008), a non-fiction book by Annie Ernaux, are two ways of a feminine writing of history, written by and through the mind and experience of particular women.
Suzel Meyer
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Baroque and Female Body: From Ecstasy to Madness in Henry James’s 'What Maisie Knew'
Henry James’s critics suggest numerous form-conscious reasons for his serpentine meaning-making aesthetics. Seeing the undecidability of James’s proto-modernist narrative on a par with that of the baroque aesthetics, this paper cites the inscribable ...
Mohamad Mosavat
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Hélène Cixous, Laida Lertxundi, and the Fruits of the Feminine
In the fields of experimental writing and experimental filmmaking, respectively, Hélène Cixous and Laida Lertxundi gather images of fruits: apples, oranges and lemons. Although Cixous and Lertxundi are well-known for seeking something of the feminine for
Laura Staab
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"Following the Traces of Feminine Writing in Adrienne Rich"
The phallogocentric stucture of language privileges the male in construction of meaning throughout the patriarchal society which allows no place for feminine writing.
Soghra Nodeh, Farideh Pourgiv
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‘The name escapes me’: Virginia Woolf’s Dislocation of Patrilineal Memory in A Room of One’s Own
In the opening section of A Room of One’s Own, Virginia Woolf sets her meditation on new feminine modes of writing in Oxbridge, thus retracing the steps of her own father, Leslie Stephen, who devoted a series of essays to the university, Sketches from ...
Marie Laniel
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