Results 251 to 260 of about 248,897 (309)
Using a Feminist Approach to Classify Women and Girls' Charitable Organisations. [PDF]
Dowrick L.
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Reproductive capital: theoretical foundations and empirical evidence from the workplace. [PDF]
Hadley RA +3 more
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Stigma and Rawlsian Liberalism
Journal of Social Philosophy, EarlyView.
Euan Allison
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Taboos as Drivers for Counterculture: Normalizing Misogyny in Incel Communities and Beyond
Journal of Social Philosophy, EarlyView.
Mihaela Popa‐Wyatt, Justina Berškytė
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Voices in Movement: Feminist Family Stories in Oral History and Sound Art
Life Writing, 2015Voices in Movement, a sound installation directed by artist Lizzie Thynne with music by Ed Hughes, draws on memories recorded for Sisterhood and After: The Women’s Liberation Oral History Project. Both the installation and oral history foreground family stories as central to feminist politics, though in diverse and shifting ways. As the producer of the
Margaretta Jolly
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Feminist Inquiry in Art History, Art Criticism, and Aesthetics: An Overview for Art Education
Studies in Art Education, 1990Feminist research in the disciplines of art history, art criticism, and aesthetics has challenged the canon of each of these disciplines and the understanding of art which they collectively produce. This paper traces major directions of feminist scholarship in these disciplines and draws implications for art education.
Sally Hagaman
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Strategic Oblivion: 1970s Feminist Art in 1980s Art History
1999Addressing the question of how “in-groups” are constituted within art history and how particular art practices are assigned value, this paper studies the devaluation of 1970s feminist art practice by 1980s anti-essentialist feminist criticism. The early work of Judy Chicago, who attempted to represent “female experience” through “central core” or ...
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The Feminist Critique of Art History
The Art Bulletin, 1987Art criticism and art history from a feminist perspective are recent phenomena, emerging only during the last fifteen years. They have, in their short history, moved from a first generation in which “the condition and experience of being female” was emphasized, to a second generation, beginning in the late 1970s, influenced by feminist criticism in ...
Thalia Gouma-Peterson, Patricia Mathews
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Power and Feminist Art (History)
Art History, 1995The Power of Feminist Art: Emergence, Impact and Triumph of the American Feminist Art Movement edited by Norma Broude and Mary D. Garrard, London: Thames and Hudson, 1994, 320 pp., 118 col. plates, 127 b. & w.
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