Results 251 to 260 of about 248,897 (309)

Stigma and Rawlsian Liberalism

open access: yes
Journal of Social Philosophy, EarlyView.
Euan Allison
wiley   +1 more source

Taboos as Drivers for Counterculture: Normalizing Misogyny in Incel Communities and Beyond

open access: yes
Journal of Social Philosophy, EarlyView.
Mihaela Popa‐Wyatt, Justina Berškytė
wiley   +1 more source

Voices in Movement: Feminist Family Stories in Oral History and Sound Art

Life Writing, 2015
Voices in Movement, a sound installation directed by artist Lizzie Thynne with music by Ed Hughes, draws on memories recorded for Sisterhood and After: The Women’s Liberation Oral History Project. Both the installation and oral history foreground family stories as central to feminist politics, though in diverse and shifting ways. As the producer of the
Margaretta Jolly
exaly   +2 more sources

Feminist Inquiry in Art History, Art Criticism, and Aesthetics: An Overview for Art Education

Studies in Art Education, 1990
Feminist research in the disciplines of art history, art criticism, and aesthetics has challenged the canon of each of these disciplines and the understanding of art which they collectively produce. This paper traces major directions of feminist scholarship in these disciplines and draws implications for art education.
Sally Hagaman
exaly   +2 more sources

Strategic Oblivion: 1970s Feminist Art in 1980s Art History

1999
Addressing the question of how “in-groups” are constituted within art history and how particular art practices are assigned value, this paper studies the devaluation of 1970s feminist art practice by 1980s anti-essentialist feminist criticism. The early work of Judy Chicago, who attempted to represent “female experience” through “central core” or ...
exaly   +2 more sources

The Feminist Critique of Art History

The Art Bulletin, 1987
Art criticism and art history from a feminist perspective are recent phenomena, emerging only during the last fifteen years. They have, in their short history, moved from a first generation in which “the condition and experience of being female” was emphasized, to a second generation, beginning in the late 1970s, influenced by feminist criticism in ...
Thalia Gouma-Peterson, Patricia Mathews
openaire   +1 more source

Power and Feminist Art (History)

Art History, 1995
The Power of Feminist Art: Emergence, Impact and Triumph of the American Feminist Art Movement edited by Norma Broude and Mary D. Garrard, London: Thames and Hudson, 1994, 320 pp., 118 col. plates, 127 b. & w.
openaire   +1 more source

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