Results 171 to 180 of about 10,158 (222)
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2022
Il s’agira de qualifier les représentations des trois héroïnes des récits de Trois femmes puissantes par Marie Ndiaye. L’analyse sociocritique du roman permet de considérer les trois personnages (Norah, Fanta et Khady Demba) comme simultanément présentés en tant qu’objets et sujets.
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Il s’agira de qualifier les représentations des trois héroïnes des récits de Trois femmes puissantes par Marie Ndiaye. L’analyse sociocritique du roman permet de considérer les trois personnages (Norah, Fanta et Khady Demba) comme simultanément présentés en tant qu’objets et sujets.
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Diplômées, 2010
Guillopé Colette, Hermann Claudine. Femmes & Sciences. In: Diplômées, n°232, 2010. 1920-2010 l'AFFDU du XXe au XXIe siecle. p. 10.
Guillopé, Colette, Hermann, Claudine
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Guillopé Colette, Hermann Claudine. Femmes & Sciences. In: Diplômées, n°232, 2010. 1920-2010 l'AFFDU du XXe au XXIe siecle. p. 10.
Guillopé, Colette, Hermann, Claudine
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Femmes artistes, femmes d’artistes
Le Petit Chose. Bulletin de l'association des Amis d'Alphonse Daudet, 2012Dufief Pierre. Femmes artistes, femmes d’artistes. In: Le Petit Chose. Bulletin de l'association des Amis d'Alphonse Daudet, n°101, 2012. Colloque. Alphonse Daudet et les femmes, Fontvieille, 12 et 13 mai 2012. pp. 89-102.
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2017
This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains.
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This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains.
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Images de femmes, femmes d’image
Cahiers du féminisme, 1992Marx Sister . Images de femmes, femmes d’image. In: Cahiers du féminisme, n°62, 1992. La justice en reforme. A qui profite les lois ? (automne 1992) p. 42.
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Femmes duelles, femmes rebelles
In La Mariane, La Mort de Sénèque, and Osman, there is a clear preponderance of women figures. Playing with cultural codes, Tristan implicitly raises the issue of their identity. A critical inversion of the predator/prey dynamic pervades the three tragedies.openaire +2 more sources
Violent Femmes' Violent Femmes
Through rare access to the Violent Femmes and their archives, this book investigates the creation of such iconic songs as “Blister in the Sun”, “Kiss Off”, “Add it Up” and “Prove My Love”, as well as the album’s recording process. The self-titled debut from Milwaukee post-punk acoustic trio the Violent Femmes is one of those rare ...openaire +1 more source
Lydie Salvayre, Sept femmes, cette femme…
In Sept femmes, L. Salvayre gathers seven women writers to make their voices heard through her own. The I who leads the narratives inscribes herself (etymologically, “writes herself into”), in an arbitrary and marginal community that only the act of writing brings together.openaire +2 more sources
Why femme stories matter: Constructing femme theory through historical femme life writing
Journal of Lesbian Studies, 2021Allison Taylor, Laura Brightwell
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