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Br J Gen Pract, 2011 Some of the next articles are maybe not open access.
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2017
The association of woman with Paris and death was a popular trope in nineteenth-century French culture and finds expression in cinematic representations of the Parisienne as femme fatale. This chapter considers la Parisienne as femme fatale in Jules Dassin’s Du rififi chez les hommes (1955), Marcel Carné’s Le jour se lève(1939) and Le quai des brumes ...
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The association of woman with Paris and death was a popular trope in nineteenth-century French culture and finds expression in cinematic representations of the Parisienne as femme fatale. This chapter considers la Parisienne as femme fatale in Jules Dassin’s Du rififi chez les hommes (1955), Marcel Carné’s Le jour se lève(1939) and Le quai des brumes ...
exaly +2 more sources
2020
Die vorliegende Arbeit untersucht die Rezeptionsgeschichte der biblischen Figur Delila aus der Simson-Delila-Erzählung in Ri 16,4-21. Die theoretische Basis für die Arbeit bilden Fragen der Rezeption sowie der literaturwissenschaftliche Ansatz der Rezeptionsästhetik.
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Die vorliegende Arbeit untersucht die Rezeptionsgeschichte der biblischen Figur Delila aus der Simson-Delila-Erzählung in Ri 16,4-21. Die theoretische Basis für die Arbeit bilden Fragen der Rezeption sowie der literaturwissenschaftliche Ansatz der Rezeptionsästhetik.
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2017
This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains.
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This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains.
openaire +1 more source