Results 11 to 20 of about 405 (184)
Abstract Robert Wilson's The Three Ladies of London (ca. 1581) is the earliest extant Turk play that features one of the earliest instances of direct anxieties regarding Anglo‐Ottoman encounters. Contemporary with the 1580 Ahdname (capitulations), the play provides a local point‐of‐view of the newly established Anglo‐Ottoman commercial relations.
Murat Öğütcü
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Voicing the Queer Self: Listening to Portraits with Vernon Lee
Originating in a critical examination of Vernon Lee's perceived ugliness and her excessive talking among her acquaintances, this essay situates historically a series of portraits in which she features as a sitter, subject of comment and commentator, to suggest that the interweaving of voices and faces can be useful to resist the elision of seeing and ...
Francesco Ventrella
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Abstract This article focuses on the ways in which a Japan‐specific Orientalism regarding Japanese femininities establishes itself in Weimar Germany's popular culture. In this period of German democratization in which we observe Weimar women's social, sexual, and political liberation, I propose that popular culture texts such as Fritz Lang's film ...
Berna Gueneli
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Fictional Characters and Characterisations
Abstract Realists about fictional characters posit a certain theoretical role and a candidate to fill this role. I will delineate the role realists take fictional characters like Emma Woodhouse to fill, and I will argue that it is better filled by what I will call ‘characterisations’.
Niall Connolly
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‘Nico’—A lone voyager in Strange Seas
Human Psychopharmacology: Clinical and Experimental, Volume 38, Issue 1, January 2023.
David S. Baldwin
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Bezdroża i długie trwanie filmu „noir”
Książka Patrycji Włodek „Wszystko noir?”. O inspiracjach i wariantach – życie po życiu film noir (2022) jest analizą wybranych aspektów czarnego kryminału łączącą refleksję nad kinem klasycznym z omówieniem najnowszych dzieł gatunku.
Sebastian Smoliński
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RESUMEN: Este artículo se propone analizar el comportamiento de uno de los arquetipos clave de la narrativa colonial española: la femme fatale marroquí, una odalisca envuelta en velos que se halla puertas hacia dentro de los harenes imaginados por las ...
Yasmina Romero Morales
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Queering Gender: The New Femme Fatale in Almodóvar’s La mala educación (2004)
It is difficult to define film genres in the post-modern cinema, as they are strongly influenced by the conventions of classic genres. Within this context the emergence of transgressive or “dissident” identities have populated such genres and ...
Brígida M. Pastor
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La mujer fatal ha sido estudiada como un recurso del que se valió el arte para estigmatizar y someter a las mujeres que, a lo largo de la historia, se rebelaron contra el statu quo.
Verónica Hernández Landa Valencia
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Este artículo analiza la representación de la femme fatale en Muerte de un ciclista (Juan Antonio Bardem, 1955) como un recurso sintomático de la disidencia de Bardem respecto a la dictadura franquista.
Silvia Guillamón Carrasco
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