Results 11 to 20 of about 405 (184)

The Three Ladies of London (ca. 1581): Re‐Reading Anxieties of Anglo‐Ottoman Exchanges Through Critical Race Theory

open access: yesRenaissance Studies, Volume 37, Issue 5, Page 648-664, November 2023., 2023
Abstract Robert Wilson's The Three Ladies of London (ca. 1581) is the earliest extant Turk play that features one of the earliest instances of direct anxieties regarding Anglo‐Ottoman encounters. Contemporary with the 1580 Ahdname (capitulations), the play provides a local point‐of‐view of the newly established Anglo‐Ottoman commercial relations.
Murat Öğütcü
wiley   +1 more source

Voicing the Queer Self: Listening to Portraits with Vernon Lee

open access: yesArt History, Volume 46, Issue 3, Page 428-457, June 2023., 2023
Originating in a critical examination of Vernon Lee's perceived ugliness and her excessive talking among her acquaintances, this essay situates historically a series of portraits in which she features as a sitter, subject of comment and commentator, to suggest that the interweaving of voices and faces can be useful to resist the elision of seeing and ...
Francesco Ventrella
wiley   +1 more source

Art, artifice, and eroticized infantilization: Imagining Japanese femininities in the Weimar Republic in Fritz Lang's Harakiri (1919) and Kapitän Mertens's “Kio, die lasterhafte Kirschblüte” (1924)

open access: yesThe German Quarterly, Volume 96, Issue 3, Page 326-343, Summer 2023., 2023
Abstract This article focuses on the ways in which a Japan‐specific Orientalism regarding Japanese femininities establishes itself in Weimar Germany's popular culture. In this period of German democratization in which we observe Weimar women's social, sexual, and political liberation, I propose that popular culture texts such as Fritz Lang's film ...
Berna Gueneli
wiley   +1 more source

Fictional Characters and Characterisations

open access: yesPacific Philosophical Quarterly, Volume 104, Issue 2, Page 348-367, June 2023., 2023
Abstract Realists about fictional characters posit a certain theoretical role and a candidate to fill this role. I will delineate the role realists take fictional characters like Emma Woodhouse to fill, and I will argue that it is better filled by what I will call ‘characterisations’.
Niall Connolly
wiley   +1 more source

‘Nico’—A lone voyager in Strange Seas

open access: yes, 2023
Human Psychopharmacology: Clinical and Experimental, Volume 38, Issue 1, January 2023.
David S. Baldwin
wiley   +1 more source

Bezdroża i długie trwanie filmu „noir”

open access: yesKwartalnik Filmowy, 2023
Książka Patrycji Włodek „Wszystko noir?”. O inspiracjach i wariantach – życie po życiu film noir (2022) jest analizą wybranych aspektów czarnego kryminału łączącą refleksję nad kinem klasycznym z omówieniem najnowszych dzieł gatunku.
Sebastian Smoliński
doaj   +1 more source

Poderes de perversión: la femme fatale colonial de la narrativa española del siglo XX / Powers of Perversion: the Colonial Femme Fatale on the 20th Century Spanish Narrative

open access: yesAsparkía, 2018
RESUMEN: Este artículo se propone analizar el comportamiento de uno de los arquetipos clave de la narrativa colonial española: la femme fatale marroquí, una odalisca envuelta en velos que se halla puertas hacia dentro de los harenes imaginados por las ...
Yasmina Romero Morales
doaj   +1 more source

Queering Gender: The New Femme Fatale in Almodóvar’s La mala educación (2004)

open access: yesCulture & History Digital Journal, 2013
It is difficult to define film genres in the post-modern cinema, as they are strongly influenced by the conventions of classic genres. Within this context the emergence of transgressive or “dissident” identities have populated such genres and ...
Brígida M. Pastor
doaj   +1 more source

Mujeres fatales desafían el statu quo. Estudio de tres novelas del mundo hispánico y su adaptación cinematográfica

open access: yesValenciana, 2020
La mujer fatal ha sido estudiada como un recurso del que se valió el arte para estigmatizar y someter a las mujeres que, a lo largo de la historia, se rebelaron contra el statu quo.
Verónica Hernández Landa Valencia
doaj   +1 more source

La representación de la "femme fatale" en el universo narrativo de "Muerte de un ciclista" (Juan Antonio Bardem, 1955)

open access: yesÁrea Abierta, 2017
Este artículo analiza la representación de la femme fatale en Muerte de un ciclista (Juan Antonio Bardem, 1955) como un recurso sintomático de la disidencia de Bardem respecto a la dictadura franquista.
Silvia Guillamón Carrasco
doaj   +1 more source

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