Results 11 to 20 of about 28,208 (268)

Was Eve the first femme fatale?

open access: yesVerbum et Ecclesia, 2021
Feminist theology approaches the biblical teaching of the fall with a non-historical or traditional interpretation. The biblical teaching suggests that the primordial couple sinned by eating the forbidden fruit from the tree that God prohibited (Gn 3:1 ...
Roche Coleman
doaj   +1 more source

The Femme Fatale and Fair Maiden in Dostoyevsky [PDF]

open access: green, 2006
This paper examines literary critic Mikhail Bakhtin\u27s assertion that Fyodor Dostoyevsky is a polyphonic novelist and examines the importance of the literary double in a polyphonic novel.
Burton, Michael
core   +3 more sources

The Three Ladies of London (ca. 1581): Re‐Reading Anxieties of Anglo‐Ottoman Exchanges Through Critical Race Theory

open access: yesRenaissance Studies, Volume 37, Issue 5, Page 648-664, November 2023., 2023
Abstract Robert Wilson's The Three Ladies of London (ca. 1581) is the earliest extant Turk play that features one of the earliest instances of direct anxieties regarding Anglo‐Ottoman encounters. Contemporary with the 1580 Ahdname (capitulations), the play provides a local point‐of‐view of the newly established Anglo‐Ottoman commercial relations.
Murat Öğütcü
wiley   +1 more source

Voicing the Queer Self: Listening to Portraits with Vernon Lee

open access: yesArt History, Volume 46, Issue 3, Page 428-457, June 2023., 2023
Originating in a critical examination of Vernon Lee's perceived ugliness and her excessive talking among her acquaintances, this essay situates historically a series of portraits in which she features as a sitter, subject of comment and commentator, to suggest that the interweaving of voices and faces can be useful to resist the elision of seeing and ...
Francesco Ventrella
wiley   +1 more source

Rousseur fatale dans La peau blanche de Joël Champetier

open access: yesVoix Plurielles, 2020
L’article s’intéresse à la figure de la femme fatale rousse dans le roman d’horreur québécois La peau blanche (2003) de Joël Champetier. Si les criminelles de Champetier reprennent des traits stéréotypiques liés à la rousseur genrée au féminin, tels que ...
Fanie Demeule
doaj   +1 more source

Art, artifice, and eroticized infantilization: Imagining Japanese femininities in the Weimar Republic in Fritz Lang's Harakiri (1919) and Kapitän Mertens's “Kio, die lasterhafte Kirschblüte” (1924)

open access: yesThe German Quarterly, Volume 96, Issue 3, Page 326-343, Summer 2023., 2023
Abstract This article focuses on the ways in which a Japan‐specific Orientalism regarding Japanese femininities establishes itself in Weimar Germany's popular culture. In this period of German democratization in which we observe Weimar women's social, sexual, and political liberation, I propose that popular culture texts such as Fritz Lang's film ...
Berna Gueneli
wiley   +1 more source

THE REPRESENTATION OF WOMAN AS FEMME FATALE IN ROALD DAHL'S LAMB TO THE SLAUGHTER

open access: yesFrasa, 2021
The purpose of this study is to know the representation of woman as femme fatale in Lamb to the Slaughter. The research methods of this study is a qualitative research method.
Hanum Bella Ardya Garini   +1 more
doaj   +1 more source

Fictional Characters and Characterisations

open access: yesPacific Philosophical Quarterly, Volume 104, Issue 2, Page 348-367, June 2023., 2023
Abstract Realists about fictional characters posit a certain theoretical role and a candidate to fill this role. I will delineate the role realists take fictional characters like Emma Woodhouse to fill, and I will argue that it is better filled by what I will call ‘characterisations’.
Niall Connolly
wiley   +1 more source

REPRESENTASI FEMME FATALE DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN

open access: yesJurnal Poetika, 2017
ABSTRAK Penelitian ini bertujuan untuk memaparkan karakteristik-karakteristik femme Fatale yang terdapat dalam novel Cantik Itu Luka. Melalui tokoh-tokoh perempuan yang berbeda, ciri-ciri tersebut dapat ditemukan.
ferli - hasanah
doaj   +1 more source

THE CHARACTER “LUCREZIA BORGIA” OF DONIZETTI’S HOMONYMOUS OPERA. AN ANALYSIS OF CHARACTER AND VOCAL FEATURES

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2022
Donizetti’s opera “Lucrezia Borgia” presents one of the most complex female characters in the history of Italian lyrical theatre – a notable portrait of “femme fatale”.
Edith Georgiana ADETU   +1 more
doaj   +1 more source

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