Results 201 to 210 of about 101,367 (250)
Some of the next articles are maybe not open access.
2020
Die vorliegende Arbeit untersucht die Rezeptionsgeschichte der biblischen Figur Delila aus der Simson-Delila-Erzählung in Ri 16,4-21. Die theoretische Basis für die Arbeit bilden Fragen der Rezeption sowie der literaturwissenschaftliche Ansatz der Rezeptionsästhetik.
openaire +1 more source
Die vorliegende Arbeit untersucht die Rezeptionsgeschichte der biblischen Figur Delila aus der Simson-Delila-Erzählung in Ri 16,4-21. Die theoretische Basis für die Arbeit bilden Fragen der Rezeption sowie der literaturwissenschaftliche Ansatz der Rezeptionsästhetik.
openaire +1 more source
2017
This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains.
openaire +1 more source
This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains.
openaire +1 more source
2014
The intention of this first chapter is to trace some of the key elements of the ‘genetic makeup’ of the femme fatale in Western culture, exploring how key myths and stereotypes of female character and behaviour, particularly in relation to transgressive or dangerous sexuality, have been established over time. Although there is a brief discussion of the
openaire +2 more sources
The intention of this first chapter is to trace some of the key elements of the ‘genetic makeup’ of the femme fatale in Western culture, exploring how key myths and stereotypes of female character and behaviour, particularly in relation to transgressive or dangerous sexuality, have been established over time. Although there is a brief discussion of the
openaire +2 more sources
2001
The preceding chapters showed Matsui Sumako as a New Woman, a sexual subject par excellence. When performed on stage, however, the New Woman takes on various hues: The primary colors that make up the full palette are that of the outspoken and rational feminist on one end and the seductive and irrational femme fatale on the other end, with many ...
openaire +1 more source
The preceding chapters showed Matsui Sumako as a New Woman, a sexual subject par excellence. When performed on stage, however, the New Woman takes on various hues: The primary colors that make up the full palette are that of the outspoken and rational feminist on one end and the seductive and irrational femme fatale on the other end, with many ...
openaire +1 more source
Від femme fatale до femme vital: сліди віденської сецесії в українському модернізмі
Biblioteca Di Studi Slavistici, 2023Tamara Hundorova
exaly