Results 71 to 80 of about 26,929 (230)

La Mujer Fatal en la Ópera [PDF]

open access: yes, 2009
This article studies some of the most remarkable female roles in opera repertoire: Manon, Carmen, Dalila, Mélisande, Salomé and Lulú, exploring the similarities that can be found among them at different levels, despite the disparity of their literary ...
Torreblanca López, Carmen
core   +1 more source

Honouring our History, Embracing our Diversity: 20th Annual Canadian Conference on HIV/AIDS Research

open access: yes, 2011
Canadian Journal of Infectious Diseases and Medical Microbiology, Volume 22, Issue B, Page 4B-128B, 2011.
wiley   +1 more source

Gueule d’amour d’André Beucler: stratégies de dévoilement [PDF]

open access: yesÇédille: Revista de Estudios Franceses, 2009
Gueule d’amour tells us the tragic love story of a former soldier who kills his mistress, a beautiful and mysterious woman.There are also other men, among them the narrator, who will fall under the charm of this femme fatale.
Azucena Macho Vargas
doaj  

The birds and the bees : gender performance in Grandville's Scènes de la vie privée et publique des animaux [PDF]

open access: yes, 2017
Published between 1840 and 1842, J. J. Grandville’s Scènes de la vie privée et publique des animaux is a hybrid work of satirical allegory that stages the scandals, polemics, and power struggles of the July Monarchy through a collection of illustrations ...
Sport, Nina Marie
core   +1 more source

Ґерда: „статево дозріваючий німецький дух” (типологія архетипних стереотипів у романі Роберта Музіля „Людина без властивостей”)

open access: yesPitannâ Lìteraturoznavstva, 2013
Аналізується постать Ґерди з роману Роберта Музіля „Людина без властивостей”. Увагу зосереджено на гермафродитному аспекті та міфологемі непорочності, за допомогою яких окреслюється наративна ситуація навколо Ґерди і завдяки яким ця фіґура набуває ...
Oleg Pagut
doaj   +1 more source

La esfinge y la literatura finisecular: Oedipe et le sphinx de Péladan [PDF]

open access: yes, 2015
In this paper we analyse the role of the mythological monster called the Sphinx in the play entitled Oedipe et le Sphinx by French writer Joséphin Péladan, which was performed in 1903.
Macias-Villalobos, Cristóbal
core  

Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries [PDF]

open access: yes, 2014
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion.
Popłońska, Magdalena
core  

The “Bad Girl” Turned Feminist: The Femme Fatale and the Performance of Theory [PDF]

open access: yes, 2010
Picture the murderous femme fatale Jane Palmer in Byron Haskin’s 1949 film noir Too Late for Tears, as embodied by the talented actress Lizabeth Scott: gorgeous blonde locks, beautiful long legs and luscious thick lips, all dolled up in a shimmery ...
Mercure, Michelle
core   +1 more source

Phyllis, Cora, Laura, Gilda… Kobieta jako przedmiot w „film noir”

open access: yesKwartalnik Filmowy, 2011
Czy kobieta w film noir – nurcie popularnym w Stanach Zjednoczonych w latach 40. i 50. XX w. – była podmiotem czy raczej przedmiotem? Ze względu na niezwykłą tematyczną złożoność film noir, przejawiającą się m.in.
Patrycja Włodek
doaj   +1 more source

L'arquetip de la femme fatale [PDF]

open access: yes
not ...
Farre, Meritxel
core  

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