Results 71 to 80 of about 415 (180)

Nympha: a changing paradigm for dance iconography

open access: yesDanza e Ricerca, 2009
Aby Warburg recognizes and gives name of Ninfa to Pathosformel as epistemological model, typological picture. Influenced by contemporary studies on linguistics and Omero poetry forms (Parry, Curtius, Jolles), this figure shows much more trace of the fin ...
Silvia Mei
doaj  

She's a femme fatale: low-density larval development produces good disease vectors. [PDF]

open access: yesMem Inst Oswaldo Cruz, 2014
Juliano SA   +6 more
europepmc   +1 more source

¿Quién teme a Tamara de Lempicka? / Who's afraid of Tamara de Lempicka?

open access: yesAsparkía, 2013
RESUMEN Abordar la figura de Tamara de Lempicka significa rescatar del olvido a una de las artistas más importantes del Art Déco, la única retratista importante en este estilo. Mujer que recurrió a su atractivo y encantos físicos para autopromocionarse.
Erika Bornay
doaj  

Stereotypy in the Portrayal of Female Characters in Genealogical Cycles of William Faulkner and Miroslav Krleža : Eula Varner Snopes and Charlotta Castelli -Glembay

open access: yesFluminensia: Journal for Philological Research, 2008
Defined as genealogies, Faulkner’s Snopes trilogy (The Hamlet, The Town, The Mansion) and Krleža’s Glembay trilogy (Gospoda Glembajevi, U agoniji, Leda), together with corresponding short stories and novels, share a whole array of common ...
Biljana Oklopčić
doaj  

Medeja - femme fatale

open access: yes, 2016
Iako je riječ o jednom od najstarijih ženskih tipova u književnosti (pronalazimo je i u Epu o Gilgamešu i Bibliji) lik fatalne žene, kad je posrijedi učestalost tematiziranja, svoj vrhunac doživljava u književnosti 19. i 20. stoljeća (Flaubertova Emma Bovary, Tolstojeva Ana Karenjina, Kovačićeva Laura, Krležina barunica Castelli itd.).
openaire   +2 more sources

A figura feminina como a mulher fatal em um conto fantástico francês

open access: yesRaído, 2012
Na literatura, a figura feminina tem se apresentado sob as mais diversas formas, indo de anjo a demônio. Nestas reflexões, destacamos um conto considerado um fracasso de público e da crítica da época, Smarra ou les démons de la nuit.
Josilene Pinheiro-Mariz
doaj  

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