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Femme Fatale or Lesbian Femme

2017
This chapter analyzes the neo-noir Bound (1996). It shows how the splitting of sex from gender liberates generic conventions in the service of protagonists who, enacting a lesbian romance in film noir, avail themselves of generic formulas to double-cross the villains.
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Femmes duelles, femmes rebelles

In La Mariane, La Mort de Sénèque, and Osman, there is a clear preponderance of women figures. Playing with cultural codes, Tristan implicitly raises the issue of their identity. A critical inversion of the predator/prey dynamic pervades the three tragedies.
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Images de femmes, femmes d’image

Cahiers du féminisme, 1992
Marx Sister . Images de femmes, femmes d’image. In: Cahiers du féminisme, n°62, 1992. La justice en reforme. A qui profite les lois ? (automne 1992) p. 42.
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Lydie Salvayre, Sept femmes, cette femme…

In Sept femmes, L. Salvayre gathers seven women writers to make their voices heard through her own. The I who leads the narratives inscribes herself (etymologically, “writes herself into”), in an arbitrary and marginal community that only the act of writing brings together.
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Femme/Butch

Journal of Lesbian Studies, 2002
Shaira, Holman, Haira, Holman
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Violent Femmes' Violent Femmes

Through rare access to the Violent Femmes and their archives, this book investigates the creation of such iconic songs as "Blister in the Sun", "Kiss Off", "Add it Up" and "Prove My Love", as well as the album's recording process. The self-titled debut from Milwaukee post-punk acoustic trio the Violent Femmes is one of those rare ...
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Femmes / Femmes

Yale French Studies, 1988
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Molière’s L’École des femmes and the Work of Accessories

Symposium - Quarterly Journal in Modern Literatures, 2021
exaly  

Plafond de verre pour les femmes dans les carrières hospitalo-universitaires en France

Revue De Medecine Interne, 2019
C Rosso, Olivier Steichen
exaly  

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