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Exile and Empire: The Spaces of the Subject in Fernando de Herrera
Hispanic Review, 2002O begins the "Cancion en alabanca de la Divina Majestad, por la victoria del Senor Don Juan" (1572), a poem which more than any other of his compositions has earned for Fernando de Herrera a reputation as the singer of Spanish imperialism during the Golden Age.
Ricardo Padron
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Nota Cuatro poesÍas inéditas de Fernando de Herrera
Bulletin of Hispanic Studies, 1992exaly +2 more sources
FERNANDO DE HERRERA CONTRA ERRATA
2023Abstract In 1580, the Sevillian poet Fernando de Herrera published his extensively annotated edition of the works of Garcilaso de la Vega. After printing was completed, two successive errata lists were inserted in the preliminaries. Yet Herrera spotted further mistakes and was forced to resort to manual corrections and paste slips in the
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Cuatro poesías inéditas de Fernando de Herrera
Bulletin of Hispanic Studies, 1992Entre los muchos libros que el maestro Juan de Mal Lara (1524–1571) no pudo limar y poner en limpio por impedirselo la ‘acelerada muerte’,1 se encontraba una de sus obras de mayores vuelos: el Hercules animoso, larga epopeya de influjo ariostesco, en cuarenta y ocho cantos, dedicada al principe don Carlos (1545–1568). Se trata de una importante muestra
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2021
Copia digital : realizada por la Biblioteca de Andalucía ; Sign.: a-d8, f6, A-O8, P4 ; []1, A ...
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Copia digital : realizada por la Biblioteca de Andalucía ; Sign.: a-d8, f6, A-O8, P4 ; []1, A ...
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Calíope, 2019
Abstract Daring is a key concept in Fernando de Herrera’s poetry. Thus, it is present throughout his work as a whole; it especially appears in the background in a great part of his lyrical work, especially in his evocations of mythological characters.
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Abstract Daring is a key concept in Fernando de Herrera’s poetry. Thus, it is present throughout his work as a whole; it especially appears in the background in a great part of his lyrical work, especially in his evocations of mythological characters.
exaly +2 more sources