Results 41 to 50 of about 345 (163)
N.A. Teffi’s Works in the Newspaper Context: Svobodnye Mysli (Paris, 1920–1921) [PDF]
The article analyzes the works of N.A. Teffi, published in 1920–1921 in the Paris newspaper Svobodnye Mysli. Taffy followed the traditions laid down during her collaboration in the Svobodnye Mysli in St.
Dmitry D. Nikolaev
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Pratiques sérielles dans le roman judiciaire
Le roman judiciaire constitue un moment important dans l’histoire du roman policier français. Par la récurrence, au fil des récits, du même enquêteur, les auteurs du genre élaborent progressivement un nouveau type de pratique sérielle.
Kálai Sándor
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The question at the center of this article inquires on the role that Spanish literature played in the press during the development of the print market in Buenos Aires.
Diego Labra
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Sérialité(s) et esthétique de la fiction télévisuelle
Le propos de cet article sera de tenter de mettre en évidence les éléments caractéristiques de la sérialité des fictions plurielles de la télévision. En effet, la sérialité serait susceptible de jouer un rôle essentiel dans la relation sensible qui lie ...
Stéphane Benassi
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Le cliffhanger : un révélateur des fonctions du récit mimétique
Cliffhanger is a narrative technique based on the interruption of a narrative when a tension is created, calling for urgent resolution. It involves a desynchonization of textual closure and of resolution of plot.
Raphaël Baroni
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Pasión y emoción de una a otra orilla
Avec l’apparition du cinéma et de la télévision, ajoutée à l’influence culturelle européenne et étasunienne, des mélodrames latino-américains ont commencé à se créer.
Gloria de los Ángeles Zarza Rondón
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Thematic repertoire of feuilletons about the New Poet and its diachronic transformations
The article discusses the thematic range of feuilletons featuring the New Poet published in the Sovremennik magazine between 1847 and 1862, as well as the changes in their thematics over time.
E. I. Vozhik, R. A. Lisiukov
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“THE IDIOT” BY F. M. DOSTOYEVSKY AND “LES MYSTERES DE PARIS” BY EUGENE SUE: COMMON GROUNDS
The article is about the influence of the “roman-feuilleton” on the novel “The Idiot” by F. M. Dostoyevsky. The article features a number of selected heroes (Nastasiya Filippovna and prince Myshkin) and situations which have analogues with the novel “Les
D. D. Sharapova
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ROBERT WALSER'S ‘BLEISTIFTWEG’: POETICS OF ATTENTION AS CRAFT
ABSTRACT This article examines Robert Walser's entry into what he called his ‘Bleistiftgebiet’ in the early 1920s, when in response to a profound crisis as a writer he began to produce manuscripts in minuscule size, the so‐called ‘Mikrogramme’ (microscripts). Intertwining the analysis of the short prose form with Walser's reflections on the short‐lived
Anne Fuchs
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