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REVIEW: Bookshelf: Reading something as flimsy as a novel
In this section of Pacific Journalism Review we ask our regular contributors to pick three books that have played an important part of their academic, professional or writing lives.
Michael Field
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(Re)mobiliser les acteurs autour d’un projet de territoire : un enjeu de méthode et de medium
This article analyzes a territorial prospective process carried out in a rural area of central France. This process is characterized by the production of fictional films to imagine the future of the territory and by the mobilization of new professionals (
Elsa Vivant
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Lying and fiction both involve the deliberate production of statements that fail to obey Grice’s first Maxim of Quality (“do not say what you believe to be false”). The question thus arises if we can provide a uniform analysis for fiction and lies.
Maier, Emar
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The literary elites of the first nineteenth century willingly criticise the utilitarian footprint in political economy, a position that goes far beyond a mere condemnation, as in the case of Balzac. Indeed, the creator of La Comédie humaine denounces the
Alexandre Péraud
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Reading (in/and) Miranda [PDF]
"Australian fiction, like that of all nations, is written, published, received and read in the context of a literary canon, both national and transnational.
Bode, Katherine
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Speech Genre Potential of Language Play in Children’s Fiction
The article analyzes the functionality of language game codes in modeling the mental space of a fairy-tale narrative according to the laws of the detective genre.
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Punishing Artificial Intelligence: Legal Fiction or Science Fiction [PDF]
Whether causing flash crashes in financial markets, purchasing illegal drugs, or running over pedestrians, AI is increasingly engaging in activity that would be criminal for a natural person, or even an artificial person like a corporation. We argue that
Abbott, Ryan, Sarch, Alexander
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A fictionalist theory is a theory that concerns a particular sphere of discourse, and is meant to encompass three theoretical virtues: a naturalistic ontology; an antirevisionary attitude concerning our discursive practices; and the ability to foster semantic uniformity across discursive spheres.
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Agnès Varda à Los Angeles et l’hypothèse d’une forme cinématographique du vernaculaire
This article aims to address the hypothesis of a filmic form of the vernacular. Originating in John Brinckerhoff Jackson’s ideas on the vernacular landscape, such a hypothesis is based on an analysis of Agnès Varda’s Mur murs and Documenteur.
Lucas Lei
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