Results 81 to 90 of about 170 (127)
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Critique et fiction : petits meurtres entre amis

Recherches & Travaux, 2002
Monluçon Anne-Marie. Critique et fiction : petits meurtres entre amis. In: Recherches & Travaux, n°60, 2002. Critique et fiction. pp. 123-142.
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Imperialist critique in Anglo-American science fiction

2022
In recent years, Anglo-American science fiction has been read as a form of literature that is complicit in the imperialist project—as “empire’s propaganda arm, its R&D lab”, as Gerry Canavan (2012) has noted. Although a number of influential ‘imperial turn’ SF scholars (John Rieder, Istvan Csicsery-Ronay, Andy Sawyer, Jessica Langer, David Seed ...
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Science Fiction as Critique of Science

Bulletin of Science, Technology & Society, 2016
Science fiction is often used as a tool with which to think about actual science. While often this is depicted in terms of imaginary future potential, science fiction has also shown itself to be a poignant critique of existing science and a means of exploring our collective anxieties regarding the continued logic of current scientific development. This
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Entre critique et fiction : la mise en scène du critique à l’époque symboliste

Recherches & Travaux, 2002
Symington Micéala. Entre critique et fiction : la mise en scène du critique à l’époque symboliste. In: Recherches & Travaux, n°60, 2002. Critique et fiction. pp. 45-56.
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Crime Fiction as Socio-political Critique

2005
Abstract Evan Hunter argues that crime fiction is a genre ‘wide enough not to be subverted if you want to make social comments ‘; it is, James Ellroy maintains, ‘the perfect vehicle ‘ for social and political criticism.1 The remainder of this study will focus on writers who, like Ellroy and Hunter, see detective and crime fiction as ...
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Frontières archipéliques, fictions critiques

Frontières de la fiction (décembre 1999), 2022
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Critique and Utopia in Postcolonial Historical Fiction

2019
Abstract Postcolonial historical fiction offers readers valuable resources for thinking the prehistory of our present. The genre’s treatment of colonialism as geographically omnivorous yet temporally “out of joint” with itself gives it a special purchase on the continuities between the colonial era and our own. These features also enable
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Critique: Studies in Modern Fiction

Critique: Studies in Contemporary Fiction, 1984
James Dean Young, Max F. Schulz
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