Results 11 to 20 of about 62 (62)
Curator: The Museum Journal, Volume 66, Issue 4, Page 647-663, October 2023., 2023 Abstract This contribution explores the relationship between performance and art museum practice, through a creative practice‐led approach, as part of a collaboration with MUVE, Fondazione dei Musei Civici in Venice. The focus here is on the exploration of performance opportunities embedded in the museography of the case study institutions ...
Jacek Ludwig Scarso
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Levels of presence in the drama text: Between close and distant reading1
Orbis Litterarum, Volume 78, Issue 5, Page 401-420, October 2023., 2023 Abstract Digital studies of drama have tended to emphasise the written text and network analyses. As theatre scholars, we have approached the field from a different perspective by focusing on levels of presence. This includes the embodied presence of not only the speaking characters, but also the non‐speaking characters and the imagined characters ...
Ulla Kallenbach, Anna Lawaetz
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Staging Grounds: Loutherbourg and Warley
Art History, Volume 46, Issue 4, Page 778-810, September 2023., 2023 In 1778, Philippe‐Jacques de Loutherbourg began work on a pair of companion pictures marking George III's attendance at a spectacular military review on the broad expanse of Essex wasteland that was Warley Common. Scholars of the painter's art have largely overlooked these ambitious, large‐scale landscapes, but their commission and subsequent display ...
John Bonehill
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The Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 193-205, September 2023., 2023 Abstract The authors discuss their methodologies for creating and relistening to recordings in collaboration with Indigenous People in Peru and Venezuela and contextualize them within the discourse about overcoming power structures that shape divides between the Global North and South, in both urban and rural trajectories, and in Western and Indigenous
Matthias Lewy, Bernd Brabec
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Sound as a producer of social spaces in museum exhibitions
Curator: The Museum Journal, Volume 66, Issue 2, Page 317-328, April 2023., 2023 Abstract In recent years, multimodal exhibition practices in which sound appears as a fundamental element have exponentially increased in museums. This phenomenon is based on the recognition that sound is a noteworthy mode to elicit significant museum experiences.
Alcina Cortez
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Strategic Management Journal, Volume 43, Issue 13, Page 2703-2741, December 2022., 2022 Abstract Research Summary A major challenge that organizations face in cultural industries in dealing with cherished traditions is how to best mediate between adherence to tradition and pursuit of innovation, how to accommodate renewal without stifling tradition.
Giulia Cancellieri +2 more
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International Transactions on Electrical Energy Systems, Volume 2022, Issue 1, 2022., 2022 Since the Belt and Road Initiative was proposed, it has received extensive attention from many aspects of the international community. To disseminate the ideas, development status, and construction achievements of the Belt and Road Initiative to the outside world has become a key and difficult problem in the development process of the initiative. Among
Dong Han +3 more
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ANU productions and the performance of otherness
Orbis Litterarum, Volume 76, Issue 6, Page 301-310, December 2021., 2021 Abstract Taking my lead from Ric Knowles’s analysis of interculturalism 'from below’ (Knowles, 2017, 2), the focus of this essay is on the representation of ‘otherness’ in three productions of Ireland’s multi‐award‐winning company ANU Productions: their 2014 play Vardo about ‘travellers’ in an inner‐city community; their 2016 play Sunder, in which ...
Brian Singleton
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Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931
Journal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 343-373, September 2026.Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
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Curator: The Museum Journal, Volume 62, Issue 4, Page 527-544, October 2019., 2019 Abstract At the beginning of 2018, the exhibition department of the Museum für Naturkunde Berlin moved from an outbuilding into an exhibition hall, bringing its office close to the public exhibition halls. The museum will face a major process of innovation in the following years, especially pushing towards more open research areas and open collections.
Wiebke Rössig, Lisa Debora Jahn
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