Les personnages du théâtre futuriste entre absurdité et symbolisme, à travers Le Roi Bombance de Marinetti. [PDF]
Le futurisme a influencé plusieurs mouvements au XXème siècle. Ne mérite-t-il pas plus de recherches, car de nos jours, le théâtre futuriste est peu étudié.
نهى طايل, نهى طايل
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L'arte di far manifesti y las publicaciones futuristas 1909-1920
Abbordiamo la nascita del movimento futurista attraverso l’apparizione del testo funzionale nel giornale francese “Le Figaro”, così come l’evoluzione del futurismo per mezzo della connessione con i testi programmatici relativi alla rivoluzione ...
Llanos Gómez
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L’ uomo macchina y la transformación del ideario futurista
Esta investigación aborda la transformación del espacio y del tiempo, impuesta por los nuevos ritmos de producción y captada por el futurismo, a partir de L'uomo macchina.
Llanos Gómez
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FUTURIST CONFLUENCES IN ULTRAISM
Our study focuses on the relationship between the Italian futurist avant-garde and Spanish ultraism. We will see how, above all, the movement founded in 1909 by Filippo Tommaso Marinetti will be present in the literary and cultural journey, albeit brief
Alessandro Ghignoli
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Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal
The concept of "recreating" is at the basis of the most enlightened culture during the fascist era. The yearning towards the future, and the proposal of a new, alternative modernity, as witnessed in the works of eminent cultural and political figures of ...
Elena Di Raddo
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Reflections on Technique in "A Cut-Conversation on Techno-Aesthetics"
The observation, or invitation, from Gilbert Simondon’s (unsent) letter to Jacques Derrida, that “[c]ertain aesthetic objects call for a technical analysis,” encapsulates not only the ambitions of A Cut-Conversation on Techno-Aesthetics by Catarina ...
Annie van den Oever, Sanna McGregor
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The avant-garde manifesto, a text of “total commitment” (Burger, 2006), is often associated with the leaders of the three historical avant-garde movements: Futurism, Dada and Surrealism. Indeed, the virility of the manifesto, combined with its disruptive
Sarah-Jeanne Beauchamp Houde
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Proprioceptive art: How should it be defined, and why has it become so popular? [PDF]
Spence C.
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The Long Shadow of Fatalism: a Philosophical Speculation on Forster's "the Machine Stops" (1909) on the Disintegration of Technologically Advanced Societies Back Then and Today. [PDF]
Seele P.
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Ivo Pannaggi as a Painter, Architect and Synthetic Caricaturist
Ivo Pannaggi started as illustrator and painter. He was among the many artists active at the Casa d’arte Bragaglia opened in Rome in 1918 together Giacomo Balla and Filippo Tommaso Marinetti. Thus Pannaggi joined the so-called “second futurism”.
Manuel Orazi
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