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What is Film-Philosophy? [PDF]
It gives me great pleasure to introduce the twentieth volume of Film-Philosophy and to inaugurate our new relationship with Edinburgh University Press. Film-Philosophy will continue to be the Open Access publication that it has always been. Whilst in its early years this made Film-Philosophy something of a rarity, nowadays the increasing movement ...
David Sorfa
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This article draws upon the work of Sylvia Wynter and W.E.B. Du Bois in order to propose that film-philosophy has historically not paid due attention to race.
William Brown
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The article starts from Gilles Deleuze’s assumption of film being a philosophy in its own right and applies it to the horror genre. It reads Stanley Cavell’s concept of genre, Timothy Jay Walker’s work on the Horror of the Other (1) and Eugene Thacker’s ...
Lorenz Engell
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Naiveté as Critique. The present paper addresses the similarities between the concept of “critique” used in phenomenology and the one put forth by critical theory in analyzing their corresponding understanding of “naiveté”.
Christian FERENCZ-FLATZ
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This article considers film as a form of artificial intelligence (AI). This non-anthropocentric hypothesis was first formulated in 1946 by filmmaker and theorist Jean Epstein and regards film as the thinking performance of a technical apparatus, the ...
Christine Reeh Peters
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Inaugurating Philosophy of Film Without Theory
Philosophy of film without theory is a methodology that aims to motivate and legitimise the current and future development of a range of a-, non-, and anti-theoretical ways of working at the intersection of film and philosophy.
Craig Fox, Britt Harrison
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"The New World": Heideggerian or Humanist Cinema?
I offer a new Heideggerian reading of Terrence Malick’s 2005 film The New World, in the style of film-philosophy, alongside a contrasting Cinematic Humanist encounter.
Britt Harrison
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Exposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film Media with Appraoch to the Theory of Imagination in the Philosophy of Religious Art [PDF]
Exposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious ArtExposure of the Siegfried Kracauer and Roger Scruton Theories in ...
Ahmadreza motamedi
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Hélène Cixous, Laida Lertxundi, and the Fruits of the Feminine
In the fields of experimental writing and experimental filmmaking, respectively, Hélène Cixous and Laida Lertxundi gather images of fruits: apples, oranges and lemons. Although Cixous and Lertxundi are well-known for seeking something of the feminine for
Laura Staab
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