Results 1 to 10 of about 7,435 (166)
The article starts from Gilles Deleuze’s assumption of film being a philosophy in its own right and applies it to the horror genre. It reads Stanley Cavell’s concept of genre, Timothy Jay Walker’s work on the Horror of the Other (1) and Eugene Thacker’s ...
Lorenz Engell
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Reflexive Wonderings: Prospects and Parameters of a Heideggerian Approach to Film as Philosophy
This response article addresses the conception of “film as philosophy” developed by Shawn Loht in his book Phenomenology of Film: A Heideggerian Account of the Film Experience (2017), with specific attention to the relevance and implications of Loht's ...
Martin P. Rossouw
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Naiveté as Critique. The present paper addresses the similarities between the concept of “critique” used in phenomenology and the one put forth by critical theory in analyzing their corresponding understanding of “naiveté”.
Christian FERENCZ-FLATZ
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This article considers film as a form of artificial intelligence (AI). This non-anthropocentric hypothesis was first formulated in 1946 by filmmaker and theorist Jean Epstein and regards film as the thinking performance of a technical apparatus, the ...
Christine Reeh Peters
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Inaugurating Philosophy of Film Without Theory
Philosophy of film without theory is a methodology that aims to motivate and legitimise the current and future development of a range of a-, non-, and anti-theoretical ways of working at the intersection of film and philosophy.
Craig Fox, Britt Harrison
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Exposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film Media with Appraoch to the Theory of Imagination in the Philosophy of Religious Art [PDF]
Exposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious ArtExposure of the Siegfried Kracauer and Roger Scruton Theories in ...
Ahmadreza motamedi
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"The New World": Heideggerian or Humanist Cinema?
I offer a new Heideggerian reading of Terrence Malick’s 2005 film The New World, in the style of film-philosophy, alongside a contrasting Cinematic Humanist encounter.
Britt Harrison
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This article draws upon the work of Sylvia Wynter and W.E.B. Du Bois in order to propose that film-philosophy has historically not paid due attention to race. Drawing upon the former’s concept of “the sociogenic principle”, as well as the latter’s theories of “the colour line” and “double-consciousness”, the article argues that modernity has been ...
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Film as Museum: One-of-a-Kind Objects in Berkun Oya's Bir Başkadır
This article explores the 2020 Turkish Netflix series Bir Başkadır (Ethos) written and directed by Berkun Oya about contemporary Turkey through its objects. With objects surge memories, which are both personal and collective.
Olivia Landry
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