Results 31 to 40 of about 9,453 (292)

Artificial Intelligence‐Assisted Workflow for Transmission Electron Microscopy: From Data Analysis Automation to Materials Knowledge Unveiling

open access: yesAdvanced Materials, EarlyView.
AI‐Assisted Workflow for (Scanning) Transmission Electron Microscopy: From Data Analysis Automation to Materials Knowledge Unveiling. Abstract (Scanning) transmission electron microscopy ((S)TEM) has significantly advanced materials science but faces challenges in correlating precise atomic structure information with the functional properties of ...
Marc Botifoll   +19 more
wiley   +1 more source

David Lynch, Embodiment and Mediality: Dealing With a Human Form

open access: yesFilm-Philosophy, 2022
This article considers the role of disembodiment in the visual art and films of David Lynch. This line of inquiry, I argue, allows us to consider the ways scholars do and do not conceptualise the relationship between Lynch’s works of different mediums ...
Benedict Welch
doaj   +1 more source

Microscopic Insights into Magnetic Warping and Time‐Reversal Symmetry Breaking in Topological Surface States of Rare‐Earth‐Doped Bi2Te3

open access: yesAdvanced Materials, EarlyView.
Magnetic doping of the topological insulator Bi2Te3 with erbium adatoms induces out‐of‐plane magnetism and breaks time‐reversal symmetry, opening a Dirac gap and driving a Fermi surface transition from hexagonal to star‐of‐David geometry. Microscopy, spectroscopy, and magnetic dichroism reveal atomically controlled magnetic interactions that tailor the
Beatriz Muñiz Cano   +18 more
wiley   +1 more source

The Matter of Manual Traces: Letters, Photographs and Bean Paste in Naomi Kawase’s Cinema of Touch

open access: yesFilm-Philosophy, 2022
This article explores the representation of the hand in three recent fiction films by Naomi Kawase: Sweet Bean (2015), Radiance (2017) and True Mothers (2020).
Lydia Tuan
doaj   +1 more source

At the Margins of the World: The Nature of Limits in Terrence Malick’s The Thin Red Line [PDF]

open access: yes, 2012
Terrence Malick’s The Thin Red Line (1998) is an anti-war film which can be read as an Orphic narrative meditating on the relationship between humans and “nature.” Many scholarly readings of the film have been attracted by analyzes that explore the ...
Lord Catherine M.
core   +3 more sources

Rewriting Polymer Fate via Chemomechanical Coupling

open access: yesAdvanced Materials, EarlyView.
This work introduces a life‐like “living” polymer platform that can grow, degrow, and reprogram its properties after fabrication. By integrating mass transport, reversible polymerization, and controlled catalysis, the material achieves on‐demand changes in size, shape, and mechanical properties.
Jiahe Huang   +9 more
wiley   +1 more source

Technics, individuation and tertiary memory: Bernard Stiegler's challenge to media theory [PDF]

open access: yes, 2012
Media studies as a field has traditionally been wary of the question of technology. Discussion of technology has often been restricted to relatively sterile debates about technological determinism. In recent times there has been renewed interest, however,
Roberts, Ben
core   +1 more source

Tin Oxide‐Anchored MXene Composites for Enhanced Hydrogen Evolution in Alkaline Media

open access: yesAdvanced Materials Interfaces, EarlyView.
The schematic illustrates a SnO2/MXene heterostructure for efficient hydrogen evolution. SnO2 nanoparticles are uniformly anchored on conductive MXene nanosheets, enhancing charge transfer and catalytic activity. The MXene substrate provides high electrical conductivity and abundant active sites, while SnO2 facilitates water adsorption and dissociation.
Pratik Shinde   +8 more
wiley   +1 more source

Introduction: tarrying with disgust [PDF]

open access: yes, 2011
Introduction for the special issue of Film-Philosophy on cinematic ...
Kendall, Tina
core  

Laura Dern’s Vomit, or, Kant and Derrida in Oz [PDF]

open access: yes, 2011
This article explores the role of disgust in Kant’s aesthetic philosophy, Derrida’s deconstruction of Kant’s third Critique in his article 'Economimesis,' and the figure of vomit in two films by David Lynch in order to argue for the ethical possibilities
Brinkema, Eugenie Alexandra
core   +1 more source

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