Results 181 to 190 of about 4,018,926 (356)

Showtime: the phenomenology of film consciousness [PDF]

open access: yes
The thesis argues that the notion of film consciousness deepens a wide-range of philosophical issues in ways which are only accessible through film experience.
Shaw, Spencer
core  

Call for papers - Film and its Multiples

open access: yesCinéma & Cie, 2001
IX International Film Studies Conference Udine
doaj  

Enhanced Terahertz Thermoelectricity Via Engineered Van Hove Singularities and Nernst Effect in Moiré Superlattices

open access: yesAdvanced Functional Materials, EarlyView.
Moiré band engineering in graphene/hexagonal boron nitride–based superlattices unlocks van Hove singularities (VHSs) for terahertz (THz) optoelectronics. Tuning the Fermi level near these singularities, associated with secondary neutrality points (SNPs), enhances the photothermoelectric response.
Leonid Elesin   +16 more
wiley   +1 more source

Limina - Film's Thresholds

open access: yesCinéma & Cie, 2003
X International Film Studies Conference
doaj  

One-Step Assembly of Coordination Complexes for Versatile Film and Particle Engineering

open access: yesScience, 2013
H. Ejima   +7 more
semanticscholar   +1 more source

Mechanical Behavior and Fracture Mechanisms of MXene/PVDF Nanocomponsites: In Situ Characterization and Multiscale Analysis

open access: yesAdvanced Functional Materials, EarlyView.
Multiscale experiments and modeling reveal how Ti3C2Tx MXene nanosheets reinforce PVDF nanocomposites. An optimal MXene loading (∼1 wt.%) nearly doubles tensile strength through efficient stress transfer, flake alignment, and crack‐deflection mechanisms, transforming ductile polymer behavior into a controlled multi‐stage fracture pathway which aligns ...
Bita Soltan Mohammadlou   +5 more
wiley   +1 more source

Margaret Tait. Film Maker - ACE131.3

open access: yes
Part of a brochure for a "film portrait". Tait talking about her "portrait" of Hugh MacDiarmid. Extract from Hugh MacDiarmid – A Portrait (1964). Tait reads from MacDiarmid’s poem, Somersault, which she used in the film. Another extract from the film,

core  

VI MAGIS - Cinema and Contemporary Visual Arts III - Cinema Vanishing (in) Art?

open access: yesCinéma & Cie, 2007
Gradisca International Film Studies Spring School
doaj  

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