Results 11 to 20 of about 342,348 (313)

Zhang Yimou's 'Blood simple':cannibalism, remaking and translation in world cinema [PDF]

open access: yes, 2014
Zhang Yimou’s A Woman, A Gun and A Noodle Shop (2009) remakes the Coen brothers’ Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting, adapting and recreating the narrative, but the film cannot be regarded as being aimed ...
Evans, Jonathan
core   +2 more sources

Film Adaptation as Translation: An Analysis of Adaptation Shifts in Silver Linings Playbook

open access: yesAnafora, 2017
The purpose of this paper is to approach film adaptation as a modality of translation and to provide a systematic analysis of the changes occurring in the adaptation of a novel for the big screen. These changes, i.e.
Katerina Perdikaki
doaj   +1 more source

Film adaptation as the interface between creative translation and cultural transformation: The case of Baz Luhrmann's The Great Gatsby

open access: yesJoSTrans: The Journal of Specialised Translation, 2018
Adaptation is prominent in many facets of the creative industries, such as the performing arts (e.g. theatre, opera) and various forms of media (e.g. film, television, radio, video games).
Katerina Perdikaki
doaj   +1 more source

Esthétique de la trace dans No Country for Old Men (Ethan et Joel Coen, 2007)

open access: yesRevue LISA, 2023
The plot of Cormac McCarthy’s novel is organised around a series of clue readings related to the traces left by the characters, whether criminals or law enforcement officers. However, these traces are often illegible or refer to an undefined meaning. The
Christophe Gelly
doaj   +1 more source

Post-9/11 re-orientalism: Confrontation and conciliation in Mohsin Hamid’s and Mira Nair’s The Reluctant Fundamentalist [PDF]

open access: yes, 2016
This article offers a comparative reading of the novel and film adaptation of The Reluctant Fundamentalist, looking at the ways these texts represent changing Western public perceptions towards Pakistan and vice-versa along the temporal axis 2001–2007 ...
Lau, L, Mendes, AC
core   +1 more source

THE FIRST SCREENING OF ALICE IN WONDERLAND (1903) / ПЕРВАЯ ЭКРАНИЗАЦИЯ «ПРИКЛЮЧЕНИЙ АЛИСЫ В СТРАНЕ ЧУДЕС» (ALICE IN WONDERLAND, 1903)

open access: yesНаука телевидения, 2021
The article is dedicated to the British silent film Alice in Wonderland by Percy Stow and Cecil Hepworth, which was found and restored in 2010. The 12-minute film was unusually long for early cinema.
SALNIKOVA EKATERINA V. / САЛЬНИКОВА Е.В.
doaj   +1 more source

Don DeLillo’s Adapted Novels: The Treatment of Language, Space, and Time on Screen

open access: yesMiscelánea: A Journal of English and American Studies, 2022
Don DeLillo is an author who pays special attention to language, time, and space when constructing characters’ identity as well as their milieu. Considering this aspect of his fiction, the present article looks at how cinematic adaptations of his novels ...
Laura Alvarez Trigo
doaj   +1 more source

Between Story and Film Adaptation: A Few Insights From a Viewer [PDF]

open access: yes, 2015
Between Story and Film Adaptation: A Few Insights From a ViewerThe essay is an attempt to analyze the mechanisms of adaptation based on the example of Enemy (2013) by Denis Villeneuve.
Sulejewska, Justyna
core   +2 more sources

A tragedy tailored to the spirit of the times – Romeo and Juliet as interpreted by Franco Zeffirelli and Baz Luhrmann

open access: yesImages, 2019
This article discusses two film adaptations of Romeo and Juliet, i.e. one directed by Franco Zeffirelli and the other by Baz Luhrmann. It covers the following aspects: the structure of both the drama and its two film adaptations, the characters ...
Anna Śliwińska
doaj   +1 more source

Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2013
Beginning with Christian Metz’s observation that even supposedly non-narrative films ... are governed essentially by the same semiological mechanisms that govern the “feature films”, this article examines one specific case of this trend in Shari Springer
Matthew Bolton
doaj   +1 more source

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