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Film (Adaptation) as Translation
Target. International Journal of Translation Studies, 1992Abstract This paper proposes an application of some particular theories, known as the 'polysystem' theories of translation, to the study of film adaptation. A preliminary and experimental analysis of a series of film adaptations made in the American film noir of the 1940s and 1950s shows that this approach provides the basis for a ...
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An Adaptive Squeeze-Film Bearing
Journal of Tribology, 1984This paper examines the effect of controlling the oil supply pressure to squeeze-film bearings in applications where these elements are used to provide damping for a light flexible transmission shaft having an arbitrary unbalance mass distribution. The shaft length and diameter selected for the study are typical of those used for helicopter tail rotor ...
C. R. Burrows +2 more
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The Intratextuality of Film Adaptation
2017Abstract By observing the authorial intentions on the part of the novelist and the adapted film’s producer, screenwriter, director, and cast, Chapter 11 examines the intratextual process at work in the transformation of Philip Roth’s novella The Dying Animal to the big screen as Elegy.
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Adaptive Stabilization of Vibration on Archive Films
2003Image vibration is a typical type of degradation that is difficult to restore in an automatic film restoration system. It is usually caused by improper film transportation during the copying or the digitization process. We have developed a method for automatic image stabilization consisting of two main steps: estimating vibration then correction by ...
Attila Licsár +2 more
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Stress adaptation in ceramic thin films
Physical Chemistry Chemical Physics, 2007Two mechanisms by which an inorganic thin film may reversibly adapt to externally imposed strain have been considered: (1) the chemical strain effect and (2) self-organization of polycrystalline macro-domains. The chemical strain effect is due to the transformation of the elastic energy of an externally applied stress into chemical energy of ...
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2012
Comparisons between the three televised versions of Henning Mankell’s signature character, the troubled inspector Kurt Wallander, are deeply instructive: apart from the fact that a triple TV incarnation of the same character (from 1995 to the present) is a measure of the character’s considerable hold on the popular imagination, there are also ...
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Comparisons between the three televised versions of Henning Mankell’s signature character, the troubled inspector Kurt Wallander, are deeply instructive: apart from the fact that a triple TV incarnation of the same character (from 1995 to the present) is a measure of the character’s considerable hold on the popular imagination, there are also ...
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Hollywood Convention and Film Adaptation
Theatre Journal, 1987This essay speculates about some of the ways in which theatrical originals are changed by three kinds of conventions in classic Hollywood film: the style in which dialogue was edited, the status of filmed objects, and the star system. The theatrical originals I have in mind are Shakespearean dramas and the classic fourth-wall plays that Hollywood most ...
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