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The Intratextuality of Film Adaptation
2017Abstract By observing the authorial intentions on the part of the novelist and the adapted film’s producer, screenwriter, director, and cast, Chapter 11 examines the intratextual process at work in the transformation of Philip Roth’s novella The Dying Animal to the big screen as Elegy.
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2012
Comparisons between the three televised versions of Henning Mankell’s signature character, the troubled inspector Kurt Wallander, are deeply instructive: apart from the fact that a triple TV incarnation of the same character (from 1995 to the present) is a measure of the character’s considerable hold on the popular imagination, there are also ...
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Comparisons between the three televised versions of Henning Mankell’s signature character, the troubled inspector Kurt Wallander, are deeply instructive: apart from the fact that a triple TV incarnation of the same character (from 1995 to the present) is a measure of the character’s considerable hold on the popular imagination, there are also ...
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Adaptive Stabilization of Vibration on Archive Films
2003Image vibration is a typical type of degradation that is difficult to restore in an automatic film restoration system. It is usually caused by improper film transportation during the copying or the digitization process. We have developed a method for automatic image stabilization consisting of two main steps: estimating vibration then correction by ...
Attila Licsár +2 more
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Stress adaptation in ceramic thin films
Physical Chemistry Chemical Physics, 2007Two mechanisms by which an inorganic thin film may reversibly adapt to externally imposed strain have been considered: (1) the chemical strain effect and (2) self-organization of polycrystalline macro-domains. The chemical strain effect is due to the transformation of the elastic energy of an externally applied stress into chemical energy of ...
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The „Artistic Film” or the Beginnings of Adaptation
Tekstualia, 2020The article discusses early attempts at fi lm adaptation of literature in silent cinema, especially French. This process is connected with the establishment of the fi lm company Film d’Art and several other initiatives. A signifi cant role was fulfi lled by Société Cinématographique des Auteurs et des Hommes de Lettres (SCAGL) that functioned within ...
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Hollywood Convention and Film Adaptation
Theatre Journal, 1987This essay speculates about some of the ways in which theatrical originals are changed by three kinds of conventions in classic Hollywood film: the style in which dialogue was edited, the status of filmed objects, and the star system. The theatrical originals I have in mind are Shakespearean dramas and the classic fourth-wall plays that Hollywood most ...
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A psychoanalytic approach to screen adaptation that examines the role of deep-rooted desire evident in the persisting media practice of adaptation from literature to film. The prevalence of adaptations in cinema – from literary texts – is striking. What does this lead us to think about adaptation?
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