Results 231 to 240 of about 160,454 (291)
Designing Biodiversity Systems via Digital Kinships: Insights from Community Data Processes and Creative Practice. [PDF]
Comput Support Coop WorkWesterlaken M.
europepmc +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Philosophy International Journal, 2023
The term “dividual” aims to present a critical view of the Western conception of persons and artworks as individuals. It is used in Euro-American anthropology in order to analyze the practical and ethical interferences between single persons and communities mainly in non-Western cultures. It is also used by Gilles Deleuze in Cinema 1.
openaire +1 more source
The term “dividual” aims to present a critical view of the Western conception of persons and artworks as individuals. It is used in Euro-American anthropology in order to analyze the practical and ethical interferences between single persons and communities mainly in non-Western cultures. It is also used by Gilles Deleuze in Cinema 1.
openaire +1 more source
Aesthetics of Early Sound Film
2023This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films' fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to ...
+4 more sources
Journal of Aesthetic Education, 1971
The basic aesthetics of film as of any other art must be descriptive and analytic, giving an account of the relevant variables and their means of variation. And any such account must be rooted in some notion, however imprecise, of what a work of the art in question is. What, then, is a film?
openaire +1 more source
The basic aesthetics of film as of any other art must be descriptive and analytic, giving an account of the relevant variables and their means of variation. And any such account must be rooted in some notion, however imprecise, of what a work of the art in question is. What, then, is a film?
openaire +1 more source
2013
Abstract This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Film remains at the apex of audiovisual culture, providing inspiration and aspiration for other media. Film music and other sounds from the soundtrack have extended film aesthetics beyond the
openaire +1 more source
Abstract This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Film remains at the apex of audiovisual culture, providing inspiration and aspiration for other media. Film music and other sounds from the soundtrack have extended film aesthetics beyond the
openaire +1 more source
Improving College and University Teaching, 1973
5) Number of students (participants) in program: 48 6) Levels represented college juniors college seniors in-service elementary teachers in-service high school teachers in-service college teachers Median age of students: 22.5 years 7) Groupings: All levels of college juniors and above 8) Number of times per week course meets: once Exact hours: 8:45 a.m.
openaire +1 more source
5) Number of students (participants) in program: 48 6) Levels represented college juniors college seniors in-service elementary teachers in-service high school teachers in-service college teachers Median age of students: 22.5 years 7) Groupings: All levels of college juniors and above 8) Number of times per week course meets: once Exact hours: 8:45 a.m.
openaire +1 more source
2018
Film aesthetics has been dominated by issues of realism. Three kinds of realism attributable to film may be distinguished: (1) the realism inherent in film because of its use of the photographic method (realism of method); (2) realism as a style which approximates the normal conditions of perception (realism of style); (3) realism as the capacity of ...
openaire +1 more source
Film aesthetics has been dominated by issues of realism. Three kinds of realism attributable to film may be distinguished: (1) the realism inherent in film because of its use of the photographic method (realism of method); (2) realism as a style which approximates the normal conditions of perception (realism of style); (3) realism as the capacity of ...
openaire +1 more source
Journal of Aesthetic Education, 2023
Abstract I defend that the distinctive object of our aesthetic evaluation of films is the full emotional experience, taken as a unified whole, that we go through as we watch a film and that I call the viewer's film emotional life. The aesthetic value itself—the positive quality we perceive in the experience of having had a certain film ...
openaire +1 more source
Abstract I defend that the distinctive object of our aesthetic evaluation of films is the full emotional experience, taken as a unified whole, that we go through as we watch a film and that I call the viewer's film emotional life. The aesthetic value itself—the positive quality we perceive in the experience of having had a certain film ...
openaire +1 more source