Results 21 to 30 of about 160,693 (310)
FILM SANG PENARI : Sebuah Kajian Estetika Baumgarten
Film Sang Penari (The Dancer) is one of Indonesian film that has a local spirit.Ifa Ifansyah, director of this film presents the problematic female dancers Ronggeng, ranging from the problem itself with her culture,herself with her family,to herself ...
Damar Tri Afrianto
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Más allá de la fascinación y el horror: hacía una estética relacional del cine caribeño
In this paper, I contend that the main tropes rehearsed by Édouard Glissant in his Poetics of Relation help us better understand the practices surrounding Caribbean filmmaking.
Ricardo Arribas
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Ana Hedberg Olenina: Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film
Review of Ana Hedberg Olenina's Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film (2020).
Amanda Jane Barbour
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Summarising F. Testu’s research on the issue of school rhythms, R. Sue and M.-F. Caccia explain that we are “confronted with two rhythms: one ‘environmental’, imposed by the adult; the other ‘endogenous’, specific to the pupils”. The first difficulty for
Benoît Rivière
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Blindness Challenging Melodrama in Your Eyes Tell (2020) and Blind Massage (2014)
While blindness has been a recurring motif in melodramatic fiction films, this article argues that some contemporary East Asian films about blindness provide a template for challenging ableism and melodramatic conventions via textual analysis.
Xinyi Wang
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Aesthetics and class interests: Rethinking Kant [PDF]
This is an Author's Accepted Manuscript of an article published in Third Text, 28(2), 137 - 148, 2014, copyright Taylor & Francis, available online at: http://www.tandfonline.com/10.1080/09528822.2014.890788.Immanuel Kant's philosophy of the aesthetic is
Wayne, M
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The Politics of Film Aesthetics: Filmososphy, Post-Theory, and Rancière
The question of aesthetics in film-theoretical discourse today is split between, on the one hand, a film-phenomenological or “filmosophical” approach that values the putatively immanent relation between film and the mind and, on the other, the ...
Konstantinos Koutras
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UNTOUCHABLE BEAUTY OF EVERYDAY AESTHETICS IN WIM WENDERS’ PERFECT DAYS
This study is critically aimed at examining the everyday aesthetics in the slice-of-life film, Perfect Days, aligning with traditional Japanese aesthetics, particularly wabi-sabi.
Nindya Galuh Fatmawati, Agni Saraswati
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Through the analysis of Timecode (Mike Figgis, 2000) and of The Last Call (Jung Von Matt, 2008), we are working on a link between film aesthetics and the notion of unpredictability.
Benjamin Lesson
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Berlin Remix – A Computationally Generative “City Film” Artwork
Berlin Remix is a computationally generative artwork that creates and presents a series of short films re-edited and re-mixed from the archetypal “City Film” documentary Berlin: Symphony of a Great City (Ruttman 1927).
Jim Bizzocchi
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