Results 201 to 210 of about 39,961 (267)

Highly sensitive X-ray detectors with polymer-perovskite-embedded flexible teflon membranes.

open access: yesMater Horiz
Sarisozen S   +13 more
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Film as an Art Form

Lutz Hieber, Hieber Lutz
exaly   +2 more sources

Films on Art

Art Journal, 1963
On May 23rd, 1963, a UNESCO Festival and Seminar on Films on Art convened at Ottawa, Ontario. Participants from Canada, England, France, Italy, the Netherlands, the U.S.S.R. and the U.S. viewed films and discussed problems for three days in the pleasant rooms and auditorium of the National Gallery of Canada and other auditoriums in town. Mrs.
openaire   +1 more source

The Sonic Art of Film and the Sonic Arts in Film

2019
My goal in this chapter is threefold. First, I argue that film is, at least partly, an art of sound. Most films are not made merely to be seen; they are also made to be heard. This offers an alternative to traditional accounts of film, which take film to be an essentially visual artform, and it suggests new directions for research in philosophy of film.
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Film as Arts

Journal of Aesthetic Education, 1969
The plural in my title is not a typographical error, nor in selecting it am I attempting to plagiarize (or satirize) the title of the English translation of Rudolf Arnheim's Film als Kunst.l Rather, I am suggesting that those of us interested in the aesthetics of the film (and, by extension, of television) cease to behave like the blind men who went to
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Film as Art: From Art Theory to Film Theory

Scientific and Social Research
This article uses the introduction of the book Film as Art, the definition and interpretation of the concept of “film,” the connotation and extension of “film art,” the necessity and possibility of “film art” research, etc. to analyze China’s important theoretical issues in the development of film theory are sorted out and reflected on.
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Transgressive Art Films

2023
Transgressive Art Films offers a holistic approach to the way we consider controversial and extreme cinema – not just as individual or grouped texts for analysis – but as artefacts that ought to be considered within a complex network of social factors.
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Mathematics and Art: The Film Series

2002
The “Mathematics and Art” project started in 1976. Or better, that year I started thinking of the project. The reasons why I started thinking of it are essentially two, or perhaps three. The first: in 1976, I was at the University of Trento, in the North of Italy.
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