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Films on Art

Art Journal, 1963
On May 23rd, 1963, a UNESCO Festival and Seminar on Films on Art convened at Ottawa, Ontario. Participants from Canada, England, France, Italy, the Netherlands, the U.S.S.R. and the U.S. viewed films and discussed problems for three days in the pleasant rooms and auditorium of the National Gallery of Canada and other auditoriums in town. Mrs.
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Film Art Phenomena

2003
Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow, as well as younger artists such as Karen ...
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Film as Arts

Journal of Aesthetic Education, 1969
The plural in my title is not a typographical error, nor in selecting it am I attempting to plagiarize (or satirize) the title of the English translation of Rudolf Arnheim's Film als Kunst.l Rather, I am suggesting that those of us interested in the aesthetics of the film (and, by extension, of television) cease to behave like the blind men who went to
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Film as Art: From Art Theory to Film Theory

Scientific and Social Research
This article uses the introduction of the book Film as Art, the definition and interpretation of the concept of “film,” the connotation and extension of “film art,” the necessity and possibility of “film art” research, etc. to analyze China’s important theoretical issues in the development of film theory are sorted out and reflected on.
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Art/Film/Art Film:CHIHWASEONAND ITS CINEMATIC CONTEXTS

Film Quarterly, 2005
ABSTRACT The international success of Im Kwon-Taek's Chihwaseon prompts consideration of its relation to other films that use narra-tives about art and artists as allegories for filmmaking: the reflexive art films that established Im's reputation; feature films about artists made in the West, especially Pollock ; and other recent reflexive films from ...
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Literature and Film Art

Tekstualia, 2020
This editorial aims to cover the content of the presented issue of „Tekstualia”. It provides an introduction to the multifaceted problem of the relationships between literature and cinematic art. The text (according to the remarks of Alain Badiou, Peter Greenaway, Andre Bazin, Seweryna Wysłouch, etc.) discusses the widespread thesis of, allegedly ...
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Pakistani Film Poster Art

BioScope: South Asian Screen Studies, 2014
The Pakistan film industry in its heyday in the 1970s was producing upward of 100 films annually making it one of the largest in the world and arguably the largest of the Muslim world. Despite the fact that the Pakistan film industry has produced a staggering number of images they have not been studied in any great depth.
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The Sonic Art of Film and the Sonic Arts in Film

2019
My goal in this chapter is threefold. First, I argue that film is, at least partly, an art of sound. Most films are not made merely to be seen; they are also made to be heard. This offers an alternative to traditional accounts of film, which take film to be an essentially visual artform, and it suggests new directions for research in philosophy of film.
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Film: The Ambiguous Art

Journal of Aesthetic Education, 1982
A well-established, well-defined art is characterized by its practitioners, its own history, and its own body of formal criticism;at its highest reaches, it will command philosophic attention. Film has its artists, its historians, its critics-although, save for suggested applications of structural semiotics, it would be as yet difficult to claim a ...
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