Results 251 to 260 of about 1,028,847 (307)
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Agricultural Water Management, 1981
Abstract Nutrient-film culture is a specialised form of soilless culture. The plants are grown in shallow channels containing a flowing nutrient solution which is continuously recirculated. Basic features of the system, which has considerable commercial potential, are described, and the merits of various materials used in its construction discussed ...
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Abstract Nutrient-film culture is a specialised form of soilless culture. The plants are grown in shallow channels containing a flowing nutrient solution which is continuously recirculated. Basic features of the system, which has considerable commercial potential, are described, and the merits of various materials used in its construction discussed ...
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Emerging film cultures: Spotlight on post-disaster Haiti
International Journal of Cultural Studies, 2017In the past decade, a new generation of filmmakers has committed to establishing a local film market via the film school, Ciné Institute, in Jacmèl, Haiti. Film production in Haiti today, grounded in a virtually non-existent cinema historiography, is particularly challenged by the neocolonial politics following the earthquake in Haiti in 2010 and ...
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Film Literacy, Visual Culture, and Film Language
2020This chapter, in the age when we experience the supremacy of the visual dominance, sustains the assumption that political power has infiltrated the lives of the individual as a subject in visual representations, and that films, which can be a medium where the individual may oppose the domination against the struggle for power, produce both hegemonic ...
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1979
At the present time the cinema as an institution is undergoing a radical redefinition of its institutional space, a redefinition set in motion by the emergence of television as a new form of mass entertainment in the 1950s. In Britain this redefinition, with its new forms of production and marketing to guarantee an adequate return on capital, has led ...
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At the present time the cinema as an institution is undergoing a radical redefinition of its institutional space, a redefinition set in motion by the emergence of television as a new form of mass entertainment in the 1950s. In Britain this redefinition, with its new forms of production and marketing to guarantee an adequate return on capital, has led ...
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Film Quarterly, 2009
Abstract With talk of a crisis of Spanish cinema, Paul Julian Smith reports from Madrid, spring 2009, and discusses: the Goya awards (best film won by Javier Fesser's Camino), the struggling but lively theatrical exhibition, burgeoning TV production, education facilities, the eminent presence of Almodóvar, and the Ocho y Medio bookshop.
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Abstract With talk of a crisis of Spanish cinema, Paul Julian Smith reports from Madrid, spring 2009, and discusses: the Goya awards (best film won by Javier Fesser's Camino), the struggling but lively theatrical exhibition, burgeoning TV production, education facilities, the eminent presence of Almodóvar, and the Ocho y Medio bookshop.
openaire +1 more source