Results 11 to 20 of about 276,736 (269)

Netflix fictional feature film originals: an analysis of release strategies

open access: yesCommunication & Society (Formerly Comunicación y Sociedad), 2021
This article offers an analysis of the strategies behind the release of original Netflix fictional feature films. Even if there is an already extensive literature about the streaming giant, little academic attention has been devoted to the release ...
Antoni Roig   +2 more
doaj   +1 more source

Evaluation of approaches to the regulation of digital film distribution

open access: yesВестник университета, 2021
The article considers approaches to the state regulation of digital film distribution, evaluates them. The paper generalizes them in the form of proposals for anti-piracy regulation, promotion of original content of online cinemas in international ...
A. R. Akopyan   +3 more
doaj   +1 more source

Integration of the Russian film industry into the global film business

open access: yesИнтеллект. Инновации. Инвестиции, 2020
The interdependence between globalization and cinematography has significantly changed modern films and in many ways contributed to the establishment of a worldwide film business.
A.I. Andreev   +2 more
doaj   +1 more source

Provision of film-showing facilities and propaganda in the second half of the 1940s (on the materials of the Tambov Region)

open access: yesВестник Тамбовского университета. Серия: Гуманитарные науки, 2020
We examine the process of restoring the cinema network of the Tambov Region in the post-war period. This process went gradually and quickly enough. And this is despite the fact that the Tambov Region, in fact, as well as the whole country experienced the
V. V. Nazarova
doaj   +1 more source

Flux distribution in superconducting films with holes [PDF]

open access: yesPhysical Review B, 2008
Flux penetration into type-II superconducing films is simulated for transverse applied magnetic field and flux creep dynamics. The films contain macroscopic, non-conducting holes and we suggest a new method to introduce the holes in the simulation formalism. The method implies reconstruction of the magnetic field change inside the hole. We find that in
Vestgarden, J. I.   +3 more
openaire   +2 more sources

The Dialogical Nature of Localized Filmonyms

open access: yesВестник Кемеровского государственного университета, 2019
The article introduces readers to the problem of localization of English filmonyms as exemplified by a subgroup of film titles with a dialogic nature.
S. A. Pankratova
doaj   +1 more source

2012–2023 Yılları Arasında Adana’da Çekilen Filmlerin Ulusal Dağıtım ve Gösterim Pazarındaki Yeri

open access: yesİletişim Kuram ve Araştırma Dergisi
Bu araştırmayla iletişim ve kültürel çalışmalar bağlamında, Adana ve Adanalıların 2000 sonrasında Türk sinemasındaki işlenişinin nicel yönlerini soruşturmak amaçlanmıştır. Çalışmada, en az bir sekansı Adana’da 2012–2023 yılları arasında çekilen 32 filmin
Aydın Çam, Batukan Ceyran
doaj   +1 more source

Pod upadającym nadzorem. Cenzura filmów polskich w latach 1986–1989

open access: yesImages
The article reconstructs the final three years of film censorship activities in the Polish People’s Republic. The author understands the term “censorship” not only as the activities of the Main Office for the Control of the Press, Publications and
Emil Sowiński
doaj   +1 more source

The Discussion of the Work of Sovetsky Ekran (The Soviet Screen) Magazine in 1958. The Sentiment of Cinema Professionals [PDF]

open access: yesХудожественная культура
The article is based on the transcript of the discussion on the work of the popular illustrated magazine Sovetsky Ekran (The Soviet Screen) and the materials of the issues of 1957 and 1958.
Salnikova Ekaterina
doaj   +1 more source

Capturing film festival buzz: The methodological dilemma of measuring symbolic value

open access: yesNECSUS, 2020
Film festivals have long been associated with ephemeral value creation, from the dynamic energy associated with the festival experience to the more static traces of cultural capital that remain once the events are over.
Diane Burgess
doaj   +1 more source

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