Results 11 to 20 of about 137,967 (259)

FILM EDITING AS A SYSTEM: FROM THEORY TO REAL PRACTICE [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2018
Since the 1920’s there have been two ways of considering film editing: first, as a basic set of rules of putting fragments of film together (Lev Kuleshov) and, second, film editing as means of film directing (Dziga Vertov, Vsevolod Pudovkin, Sergei ...
KAMINSKI ANDREI
doaj  

Artifice and Medium-Specific Art: Poetry Performance and Film

open access: yesSillages Critiques, 2009
This paper presents a digital artefact (trailer and DVD) made out of the film archive of poet Jerome Rothenberg’s performance-conferences given at the Sorbonne and at the ENS-LSH in November 2005.
Geneviève Cohen-Cheminet
doaj   +1 more source

Blindness, Blinking and Boredom: Seeing and Being in Buddhism and Film

open access: yesReligions, 2018
This essay takes up a paradoxical problem articulated by Buddhist philosopher, Nishitani Keiji: the eye does not see the eye itself. It argues that film has a therapeutic function by virtue of its ability to draw our attention to this precise aspect of ...
Lina Verchery
doaj   +1 more source

Editing as a Creative Director's Method in Modern Audiovisual Culture

open access: yesВісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво
The purpose of the article is to analyse the theory of editing in contemporary film and television production. To define the role of the director in the process of editing audiovisual projects. To explore the mechanisms of editing theory.
Алла Медведєва   +1 more
doaj   +1 more source

How Context Influences Our Perception of Emotional Faces: A Behavioral Study on the Kuleshov Effect

open access: yesFrontiers in Psychology, 2017
Facial expressions are of major importance in understanding the mental and emotional states of others. So far, most studies on the perception and comprehension of emotions have used isolated facial expressions as stimuli; for example, photographs of ...
Marta Calbi   +6 more
doaj   +1 more source

Modelling Shot Lengths of Hollywood Motion Pictures with the Dagum Distribution

open access: yesStatistica, 2020
This paper demonstrates the three-parameter Dagum distribution provides a good fit for shot lengths in Hollywood films due to its ability to model a wide range of skewness and kurtosis values and a variety of tail behaviours by virtue of its two shape ...
Nick Redfern
doaj   +1 more source

Distributional Thinking about Film Style

open access: yesExchanges, 2022
This article illustrates the use of quantiles as a means of describing and comparing motion picture shot length distributions. This approach is conceptually and computationally simple and leads us to think distributionally about shot lengths rather than
Nick Redfern
doaj   +1 more source

Automation and creativity in AI-driven film editing: the view from the professional documentary sector

open access: yesCommunication & Society (Formerly Comunicación y Sociedad)
This article explores the impact of integrating artificial intelligence (AI) into film editing, a field that has gradually adopted semi- and fully automated techniques, marking a turning point in film narrative and montage techniques.
Jorge Caballero, Carles Sora-Domenjó
doaj   +1 more source

FILM DOKUMENTER SENI LUKIS WAYANG KAMASAN KLUNGKUNG BALI

open access: yesJurnal Nasional Pendidikan Teknik Informatika (JANAPATI), 2019
Penelitian ini bertujuan untuk (1) menghasilkan rancangan dan mengimplementasikan hasil rancangan pengembangan Film Dokumenter Seni Lukis Wayang Kamasan.
I Kadek Evry Pranata   +2 more
doaj   +1 more source

Trudna przestrzeń. O filmie Roberta Stando Strach ma wielkie oczy

open access: yesImages, 2020
The article analyses and interprets Robert Stando’s little-known educational film Strach ma wielkie oczy [Fear has large eyes]. The film was made in 1965 and produced by the Documentary Film Studio in Warsaw.
Marek Hendrykowski
doaj   +1 more source

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