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2022
Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer ...
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Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer ...
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Proceedings of the 9th ACM Multimedia Systems Conference, 2018
Streaming Virtual Reality (VR), even under the mere form of 360° videos, is much more complex than for regular videos because to lower the required rates, the transmission decisions must take the user's head position into account. The way the user exploits her/his freedom is therefore crucial for the network load.
Savino Dambra +5 more
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Streaming Virtual Reality (VR), even under the mere form of 360° videos, is much more complex than for regular videos because to lower the required rates, the transmission decisions must take the user's head position into account. The way the user exploits her/his freedom is therefore crucial for the network load.
Savino Dambra +5 more
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Film editing reconstruction and semantic analysis
1995In the present paper the problem of video segmentation and semantic analysis for cinematographic language classification is addressed. Video analysis is here focused on the automatic detection of editing procedures, through which the shots are fused into the video stream.
Jacopo M. Corridoni, Alberto Del Bimbo
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2019
Philosophical discussions of film are divided in their treatment of the subject rhythm in film editing. Analytic philosophers tend to avoid discussion of it, while continental philosophers give it expansive consideration. This chapter aims to bridge these two traditions by analytically articulating what rhythm is, how it is shaped, and what it is for ...
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Philosophical discussions of film are divided in their treatment of the subject rhythm in film editing. Analytic philosophers tend to avoid discussion of it, while continental philosophers give it expansive consideration. This chapter aims to bridge these two traditions by analytically articulating what rhythm is, how it is shaped, and what it is for ...
openaire +1 more source