Results 71 to 80 of about 279,573 (234)
‘It's Like a Horror Movie That You Walk Through’: Experiencing Horror Through Immersive Recreation
The Journal of American Culture, EarlyView.ABSTRACT Horror stories have provided enjoyable forms of leisure for centuries. Over the past five decades, however, these experiences have evolved into increasingly immersive forms of popular culture. What once involved constructing the narrative world internally through reading has expanded into sensory engagement through visual and auditory media ...
Susan Weidmann
wiley +1 more source
ImagineNATIVE 2012: Ecocinema and The Indigenous Film Festival
, 2013 Much scholarship points to how ecological concerns are never far from Indigenous struggles for political sovereignty and public participation. In this paper we turn to the Indigenous film festival as a relatively understudied yet rich site to explore ...
Brady, Miranda, Monani, Salma
core
STUDENT FILM FESTIVAL 2018 POSTER [PDF]
, 2018 Student Film Festival Angell Blackfriars Theatre May 3 at 7PMhttps://digitalcommons.providence.edu/sff_2018_pubs/1001/thumbnail ...
Providence College
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, 2017 I first saw Métis artist Terril Calder\u27s 2014 stop-frame feature, The Lodge, an independently made, relatively small- budget film, at its premiere at the ImagineNative Film + Media Arts festival, held annually in Toronto, Canada.
Monani, Salma
core +1 more source
Journal of Management Studies, EarlyView.Abstract This article examines how and to what extent violence has become a pivotal tool for conducting business in places integrated into the global value chain. It also explores the roles stakeholders play in silencing workers' resistance within these places.
Shoaib Ahmed
wiley +1 more source
A film festival thinking itself [PDF]
Alphaville: Journal of Film and Screen Media, 2019 Between the 21st and 29th of September 2018, the San Sebastian International Film Festival (SSIFF) celebrated its 66th edition. The editorial in the official catalogue pointed out that the festival had reached a “crossroads” in which “safe and recognisable paths branch off onto unexpected tracks, or cross others which, despite having a rather uncertain
openaire +2 more sources
Journal of Management Studies, EarlyView.Abstract Community participation is recognized as a crucial yet problematic element for addressing many issues in social development. Generating participation, however, is particularly challenging due to existing inequalities within heterogeneous communities, making it difficult for organizations to engage marginalized groups while letting go of their ...
Trish Ruebottom +2 more
wiley +1 more source
Film 4 Frightfest. London, 26-30 August 2010
Alphaville: Journal of Film and Screen Media, 2011 The Film 4 Frightfest continues to attract a growing audience every year and it has now become the premiere international film festival for genre fans. First held on the August bank holiday weekend of 2000, the festival took place at the Prince Charles ...
Deborah Mellamphy
doaj +1 more source
Films That Make a Difference [PDF]
, 2012 As part of the 2012 Seattle International Film Festival -- the largest and most-highly attended festival in the United States -- Vulcan Productions hosted a forum examining how filmmakers are using innovative campaigns to deepen the impact of their work ...
core
Gregorini v. Shyamalan: Can Access Trump Similarity in a Globalised Digital Age?
The Journal of World Intellectual Property, EarlyView.Abstract On the 20th February 2025, the final judgement of Gregorini v. Shyamalan rejected director Gregorini's claims that the show ‘Servant’ produced by Apple TV+ copied her independent film ‘The Truth About Emanuel’. Infringement can be established by proving substantial similarity and access to the work.
Anna Monnereau
wiley +1 more source