Results 71 to 80 of about 280,039 (246)

ImagineNATIVE 2012: Ecocinema and The Indigenous Film Festival

open access: yes, 2013
Much scholarship points to how ecological concerns are never far from Indigenous struggles for political sovereignty and public participation. In this paper we turn to the Indigenous film festival as a relatively understudied yet rich site to explore ...
Brady, Miranda, Monani, Salma
core  

STUDENT FILM FESTIVAL 2018 POSTER [PDF]

open access: yes, 2018
Student Film Festival Angell Blackfriars Theatre May 3 at 7PMhttps://digitalcommons.providence.edu/sff_2018_pubs/1001/thumbnail ...
Providence College
core   +1 more source

The Cosmological Liveliness of Terril Calder\u27s The Lodge: Animating Our Relations and Unsettling Our Cinematic Spaces

open access: yes, 2017
I first saw Métis artist Terril Calder\u27s 2014 stop-frame feature, The Lodge, an independently made, relatively small- budget film, at its premiere at the ImagineNative Film + Media Arts festival, held annually in Toronto, Canada.
Monani, Salma
core   +1 more source

Multiculturalism, Majority Rights and the Established Culture

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Recent critiques of multiculturalism contend that it is the ethnic or cultural majority in Western democracies that is now most vulnerable to cultural and identity dissolution, thus entitling it to majority rights on much the same grounds that multiculturalists defend minority rights. These critiques follow and perpetuate the binary opposition
Geoffrey Brahm Levey
wiley   +1 more source

A film festival thinking itself [PDF]

open access: yesAlphaville: Journal of Film and Screen Media, 2019
Between the 21st and 29th of September 2018, the San Sebastian International Film Festival (SSIFF) celebrated its 66th edition. The editorial in the official catalogue pointed out that the festival had reached a “crossroads” in which “safe and recognisable paths branch off onto unexpected tracks, or cross others which, despite having a rather uncertain
openaire   +2 more sources

Films That Make a Difference [PDF]

open access: yes, 2012
As part of the 2012 Seattle International Film Festival -- the largest and most-highly attended festival in the United States -- Vulcan Productions hosted a forum examining how filmmakers are using innovative campaigns to deepen the impact of their work ...

core  

The Racialisation of Rape: A Far‐Right Tool for Boundary‐Creation Across Borders

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Far‐right parties and movements have increasingly come to incorporate ideas of gender equality into their political agendas. While seemingly out of concern for women's rights and safety, these issues are in reality seldom more than a veil to further the stigmatisation of Muslim men.
Mathilda Åkerlund
wiley   +1 more source

Film 4 Frightfest. London, 26-30 August 2010

open access: yesAlphaville: Journal of Film and Screen Media, 2011
The Film 4 Frightfest continues to attract a growing audience every year and it has now become the premiere international film festival for genre fans. First held on the August bank holiday weekend of 2000, the festival took place at the Prince Charles ...
Deborah Mellamphy
doaj   +1 more source

Cinema in the country: the rural cinema scheme – Orkney (1946-67) [PDF]

open access: yes, 2011
The act of transporting cinema to and exhibiting films for the rural communities of the Highlands and Islands of Scotland has attracted a fair amount of press attention at home and abroad recently ("Box Office").
Goode, I.
core  

Two Nationalisms, One City: Official and Diasporic Framings of the 2019 Hong Kong Protests

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This study analyses the contested collective memories of the 2019 Anti‐Extradition Law Amendment Bill (Anti‐ELAB) movement, investigating how the Hong Kong government and diaspora construct divergent narratives to shape national identity and nationalism.
Isaac Iu
wiley   +1 more source

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