Results 21 to 30 of about 96,663 (243)
European film festival venues are explored in their relation to transnationalism, a “supranational sphere”, as well as with political and economic implications (Acciari, 2014).
Nicoleta Sălcudean
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New Media and Film Festivals in the Middle East
This paper is about two things. On the one hand it tries to observe some of the changes after the digital revolution, changes that had an impact on film festivals.
Murat Akser
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Film festivals as cosmopolitan assemblages: A case study in diasporic cocreation
In this article, I seek to explore the use and development of the notion of cosmopolitanism within the context of film festivals. I will examine the specific case study of the Leicester Asian Film Festival from the perspective of an insider—as a Film ...
Monia Acciari
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The film festival sector and its networked structures of gender inequality
The global film industry is shaped by gender inequality. Women are structurally underrepresented in professional roles that include high levels of creative and economic decision-making power, such as directors, writers, and producers.
Martha E. Ehrich +3 more
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Specific Features of TV Journalist’s Work at the World Film Events
The purpose of the study is to analyze the current relationship between media and “A” list film festivals. Determine the specifics of a TV journalist`s work at such events.
Iryna Gavran +2 more
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Negotiating ‘Asianness’ at the Tokyo International Film Festival
In this paper I will trace a brief history of major Asian film festivals to understand how the notion of ‘Asianness’ evolved over time and how it is expressed nowadays through programming practices and film markets. Then I will focus on the case study
De Angelis, Eugenio
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Festivais de documentário no século XXI
O segundo volume da obra Documentary Film Festivals: Changes, Challenges, Professional Perspectives (2020), editado por Aida Vallejo e Ezra Winton, faz parte da coleção Framing Film Festivals da editora Palgrave.
Juliana Muylaert, Bianca Salles Pires
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Abstract Context‐centric proactive information delivery (PID) is a relatively underexplored domain within recommender systems (RS) aimed at enhancing Knowledge Workers' productivity by proactively providing relevant information during digital tasks.
Mahta Bakhshizadeh +4 more
wiley +1 more source
Saving the Past, Making History: Film Festivals and the Dynamics of Rediscovery
This article explores the impact of film festivals’ retrospective programming on the canons of global art cinema, wanting to contribute to a current trend in film scholarship exploring the relationship between film festivals and film histories.
Andrea Gelardi
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Curatorial Practices for Intersectional Programming
Screendance finds its roots in the traditions of concert dance, museum culture, and film festivals. Film festivals - from which we borrow the structure for programming screendance - boast a history of discrimination towards bodies of color, varied gender
Cara Hagan
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