Results 121 to 130 of about 259,262 (230)
BAKHTIN'S CHRONOTOPE ON THE ROAD: Space, Time, and Place in Road Movies Since the 1970s
Facta Universitatis Series: Linguistics and Literature, 2006 The paper deals with the notion of film genre in general and the road movie, perhaps the most American and much contested genre in particular, employing Mikhail Bakhtin's concept of the chronotope.
Alexandra Ganser, Julia Pühringer, Markus Rheindorf
doaj
Noûs, EarlyView.ABSTRACT Conversations can belong to different types, or genres. We consider four dimensions of variation as case studies: Some conversations are about sharing information, others about making decisions; some are about making firm commitments, others about brainstorming options; some are about sticking to the facts, others involve make‐believe; some ...
Elmar Unnsteinsson, Daniel W. Harris
wiley +1 more source
Orbis Litterarum, EarlyView.Abstract To expose the pollution of marshes and swamps, whether by hydrocarbons or other contaminants, the French or Francophone author of the twentieth century must first confront a literary tradition that equates stagnant water with a volatile poison and, more broadly, wetlands with toxic environments. In his article “Wetland Gloom and Wetland Glory,”
François Sagot
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Lighting In Pandemic Films [PDF]
, 2016 A genre recognition coincides with what a film is about through an identification of sound, mise-en-scene, dialogue and a cinematography elements. Although films are indistinctly classified of a specific genre, film elements can be a parameter to define ...
Bidin, Azman, Shafiee, Rasmuna
core
Text as tape: On the voice in the late prose of Friederike Mayröcker
Orbis Litterarum, EarlyView.Abstract For a text to have a voice means to be caught in a paradox: the text obviously does not speak, so what is that tone rising from the pages? Taking hold of a striking ambivalence, this essay examines the relationship between text and voice in the late prose of Austrian poet Friederike Mayröcker.
Astrid Elander
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Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead
Orbis Litterarum, EarlyView.Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
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Trauma and affect in a Holocaust survivor's story: Rosita Fanto's novel Rozalia Alone
Orbis Litterarum, EarlyView.Abstract My article endeavors to redress the neglect of Rosita Fanto's Rozalia Alone (2010), which deals with a page of history that is less known worldwide, the Holocaust in Romania. Using a trauma studies perspective that mixes with affect theory, the article demonstrates that Rozalia Alone covers in a nutshell the whole magnitude of the late 1930s ...
Arleen Ionescu
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Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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The Russian Review, EarlyView.Abstract The analysis of Lenin’s language and rhetoric undertaken by the leading representatives of Russian Formalism in the pages of the journal LEF in early 1924 represents more than a tactical attempt to align Formalism with the mainstream of Bolshevik culture‐building in the context of the Soviet 1920s.
Alastair Renfrew
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