Pianista – obraz getta w filmowym języku Romana Polańskiego
Images, 2011 The Pianist – the image of a ghetto in the film language of Roman Polanski The work of Roman Polański has always been a unique example of both craftsmanship and interesting subjects.
Anna Śliwińska
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The outlaw Josey Wales and the frontier myth of development [PDF]
, 2002 The cultural genre of the American western has developed through the myth/ideology of white European migration east to west across the American continent. This myth system is grounded in the archetypes of the Garden and Deliverance. Ideological revisions,
Panay, Andrew
core
Local flavors and regional markers : The Low Countries and their commercially driven and proximity-focused film remake practice [PDF]
, 2019 The practice of Dutch-Flemish film remaking that came into existence in the new millennium quickly appeared to be of great importance in the film industries of Flanders and The Netherlands – and consequently of Europe.
Cuelenaere, Eduard +2 more
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Out of the dark – Psychological perspectives on people's fascination with true crime
British Journal of Psychology, EarlyView.Abstract The success of the true crime media genre reflects humanity's avid curiosity about violence, deviance, and murder, yet psychological research on this phenomenon is lacking. In this article, we highlight why true crime consumption may be relevant to various research fields that go beyond simple media preferences.
Corinna Perchtold‐Stefan +5 more
wiley +1 more source
EVALUATION IN THE GENRE OF FILM REVIEW
Вестник Кемеровского государственного университета, 2013 The article deals with the development history of the genre of film review, its peculiarities and the ways of expressing evaluation – the category forming film review genre and text. The reaction register being the dominant communicative register of film
E. Yu. Garanina
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Making intersexuality visible through the circulation of Lucia Puenzo's XXY
La Manzana de la Discordia, 2016 This article looks at how the film XXY (Lucía Puenzo, 2007) makes intersexuality visible and transmits to the public identities that question the binaries man-woman and homo-hetero by means of its circulation. By acknowledging the challenges of assessing
Amaya Bañuelos Marco
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Ohio impromptu, genre and Beckett on film [PDF]
, 2005 Samuel Beckett’s choice of the title Ohio Impromptu to name the play first performed to an audience of academics and scholars at Columbus Ohio in 1981 is one manifestation of its author’s interest in the question of literary genre; more generally, in ...
Dowd, Garin
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Traces du film noir dans Lolita, Stanley Kubrick, 1962
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2010 By looking at the influence film noir has exerted upon Kubrick’s Lolita, this article strives to show that Kubrick has undermined the generic conventions of film noir as well as of other film genres, in a devious attempt to displace the subversive ...
Cristelle Maury
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Dark journeys: Jacques Tourneur's Experiment Perilous [PDF]
, 2014 An analysis of Jacques Tourneur's 1944 filmThis article examines the construction of gender through Tourneur's handling of mise en scene and narrative in his 1944 film, Experiment Perilous. Locating it within a broader genre context, and paying reference
Young, Gwenda
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Converging Horror: analyzing the importance of Convergence Culture on a digital audience through an examination of the conventions and politics of the horror genre [PDF]
, 2017 This thesis draws attention to the genre of horror in new media through a close examination of various digital texts, arguing that these new texts, while built on traditional horror narratives used in cinema, are also examples of Convergence Culture, a ...
Fox, Kelsey M
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