Results 21 to 30 of about 1,091,641 (303)
Eski Görüntüler, Yeni Görüngüler: Yeşilçam Filmlerinin Üslup Özellikleri İçin Uzak Okuma Denemesi
Erciyes İletişim Dergisi, 2020 Bu araştırmada, Yeşilçam filmlerinin, YouTube üzerinden yığınsal biçimde uzaktan erişime açılması olarak tarif edebileceğimiz güncel gelişmeden hareket edilmektedir. Bu çalışmanın ilk amacı, Dijital İnsan Bilimleri ve film üslubunun istatistiksel analizi
Serkan Şavk
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Edgar Morin et les théories sociales du cinéma en France
Revue d’Histoire des Sciences Humaines, 2021 Edgar Morin’s ideas on cinema, mainly from the 1950s, were long considered original. In order to pinpoint their specificity, this study goes back over Morin’s career, from his discovery of cinema between the wars and his activities in the Resistance to ...
Valérie Vignaux
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Gli studi cinematografici e la Prima Guerra Mondiale: alcune tendenze
Storicamente, 2015 The goal of this article is to investigate the way in which the relationship between cinema and the First World War has been explored in film studies, identifying some of the research trends dominant in recent decades.
Paolo Noto
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European Journal of American Studies, 2020 Based on Gilles Deleuze’s claim that rumor has been a “cinematographically privileged object” in early sound cinema, this essay will provide a political analysis of the representation of rumor in two early sound films in the transnational oeuvre of Fritz
Florian Zappe
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Bollywood tracks towards and through the city: structural patterns of Hindi film culture in Antwerp (Belgium) [PDF]
, 2013 The globalisation of Hindi cinema is a topical issue in current media and film research. Whereas the majority of previous studies on Indian film in diaspora have been concerned with issues of audiences and text, this article concentrates on the ...
Meers, Philippe +3 more
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Alphaville: Journal of Film and Screen Media, 2019 The Marshall Plan film campaign navigated many cultural, political, and socio-economic contexts to present one of the largest economic aid programmes in history, and weaponised films during the Cold War.
Aysehan Jülide Etem
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, 2023 An artist should probably not be a historian of their art. But when they are, they produce specific kinds of histories. In this chapter, I argue that their position entails a reluctance towards literary forms of history writing, towards explanations and comments.
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Transatlantica, 2017 The exhibition delves into the history and evolution of cinema, shown through the lens of the machines and technology that made the filmmaking process possible.
David Lipson
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Tradition of remaking and serialisation in world film [PDF]
Zbornik Radova Akademije Umetnosti, 2016 Although they are often emphasised as characteristic of contemporary (especially Hollywood) production, which according to many predominantly offers pastiche in service of exploitative tendencies of late capitalism, remaking and serialisation, the ...
Kraljačić Nikolaj Dejan
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Researching Black women and film history
Alphaville: Journal of Film and Screen Media, 2021 My project (Horizon 2020, 2018–20) traces Black female moviegoing in Harlem during the silent film era. The main challenge in uncovering the women’s stories is that historical paradigm has always prioritised the voices of the white, middle-class elite ...
Agata Frymus
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