Results 31 to 40 of about 1,091,641 (303)

Die Rothschilds. Aktien auf Waterloo (Erich Waschneck, Deutschland, 1940)

open access: yesILCEA, 2015
The Vorbehaltsfilm Die Rothschilds. Aktien auf Waterloo (Erich Waschneck, Deutschland 1940) draws a distortion of historical realities around the rise of the Rothschild family from Frankfurt am Main to financial power all over Europe at the beginning of ...
Johanne Hoppe
doaj   +1 more source

International Conference “Doing Women’s Film and Television History”

open access: yesApparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2023
A conference review of the Doing Women’s Film and Television History conference, held June 2023 at Sussex University in Brighton, England. The conference theme ‘Changing Streams. Channels, and Currents’.
Arielle Woods
doaj   +1 more source

Sex in the city: the rise of soft-erotic film culture in Cinema Leopold, Ghent, 1945-1954 [PDF]

open access: yes, 2015
Since the 1990s, film studies saw a disciplinary shift from approaches favoring a textual and ideological analysis of films to a broader understanding of the socio-cultural history of cinema under the banner of new cinema history.
Biltereyst, Daniël   +1 more
core   +1 more source

Revealing the structure of land plant photosystem II: the journey from negative‐stain EM to cryo‐EM

open access: yesFEBS Letters, EarlyView.
Advances in cryo‐EM have revealed the detailed structure of Photosystem II, a key protein complex driving photosynthesis. This review traces the journey from early low‐resolution images to high‐resolution models, highlighting how these discoveries deepen our understanding of light harvesting and energy conversion in plants.
Roman Kouřil
wiley   +1 more source

Shooting the War: The Canadian Army Film Unit in the Second World War [PDF]

open access: yes, 2012
Very little has been written about the Canadian Army Film Unit (CAFU) since the end of the Second World War, despite Jon Farrell’s postulation. There have been a few short newspaper articles related to teh Film Unit and the D-Day footage that made it ...
Klotz, Sarah
core   +1 more source

'For this relief much thanks.' Taxation, film policy and the UK government [PDF]

open access: yes, 2009
In 2006, the Treasury introduced a new Film Tax Credit for British productions. Fiscal incentives in the form of tax credits are now regarded as fundamental to the sustainability of the British film industry.
Magor, M., Schlesinger, P.
core   +1 more source

In situ molecular organization and heterogeneity of the Legionella Dot/Icm T4SS

open access: yesFEBS Letters, EarlyView.
We present a nearly complete in situ model of the Legionella Dot/Icm type IV secretion system, revealing its central secretion channel and identifying new components. Using cryo‐electron tomography with AI‐based modeling, our work highlights the structure, variability, and mechanism of this complex nanomachine, advancing understanding of bacterial ...
Przemysław Dutka   +11 more
wiley   +1 more source

Australian Legends: historical explorations of Australian masculinity and film 1970-1995. [PDF]

open access: yes, 2010
The twin purpose of this research is to explore films as historically specific cultural texts, rather than representations of one historical moment, and to engage with historiographical debates surrounding representations of masculinity in Australian ...
Hanley, Galina
core   +1 more source

Sequence determinants of RNA G‐quadruplex unfolding by Arg‐rich regions

open access: yesFEBS Letters, EarlyView.
We show that Arg‐rich peptides selectively unfold RNA G‐quadruplexes, but not RNA stem‐loops or DNA/RNA duplexes. This length‐dependent activity is inhibited by acidic residues and is conserved among SR and SR‐related proteins (SRSF1, SRSF3, SRSF9, U1‐70K, and U2AF1).
Naiduwadura Ivon Upekala De Silva   +10 more
wiley   +1 more source

Televisuality on a Global Scale: Netflix’s Local-Language Strategy

open access: yesMedia and Communication
This article focuses on Netflix’s local-language strategy, the context leading up to it, and the extent to which transnationality, in this particular case, becomes televisual in John Caldwell’s sense.
Frédérique Khazoom
doaj   +1 more source

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